The article by Simon Thomas explores the evolution of the Berlin street art scene from its inception in the late 1970s to its current status as a significant cultural and tourist attraction. It highlights the transformation of the city's walls into canvases that reflect political commentary and personal expression. The article discusses the legal ambiguities surrounding street art, the involvement of local authorities and businesses in promoting it, and the tension between commercialization and the art form's rebellious roots. It also provides case studies of notable street artists such as XOOOOX, Alias, and Mein Lieber Prost, examining their styles, messages, and impact on the urban landscape. The article suggests that street art in Berlin is at a crossroads, with the potential to evolve into a mainstream social movement.

The article discusses the issue of wild boars in Berlin, which have become a nuisance by causing damage and posing a danger to humans. The boar population has increased significantly, attributed to milder winters and a more varied diet. City authorities have hired hunters to control the population, focusing on shooting piglets, which has sparked controversy among both the public and hunters. The public views the boars as part of the cityscape and opposes inhumane treatment, while hunters find the practice unchallenging and less profitable. Incidents of aggression by injured boars have led to calls for alternative methods of population control, such as contraceptive pills, which the authorities find impractical. The Berlin Animal Protection Society is educating the public on coexisting with the boars through a course titled 'Wild Boars in the City.'