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Check FAQAbout Alison
Alison Klayman is an independent documentary filmmaker based in New York, United States of America and Tokyo, Japan.
Video Package (Web / Broadcast)
Documentaries
Fact Checking
Arts & Books
Film & Theatre
Fact Checking
Portfolio
White Hot: The Rise and Fall Of Abercrombie and Fitch
The documentary 'White Hot: The Rise and Fall Of Abercrombie and Fitch' directed by Alison Klayman, available on Netflix, explores the history of the clothing brand Abercrombie and Fitch. It highlights the brand's rise to popularity and its subsequent decline, touching on issues like exclusionary practices and toxic corporate culture. The film attempts to balance nostalgia with critical examination but falls short of deep investigative journalism. It includes references to Jeffrey Epstein and mentions other Netflix documentaries. The review is mixed, noting both the documentary's appeal to nostalgia and its failure to fully address serious issues.
Dissident at the Doorstep: Episode 6: The Great Moving Right Show
Almost a year after arriving in the US, Guangcheng faces allegations that NYU is trying to sever ties with him due to pressure from the Chinese Communist Party. NYU accuses right-wing political forces of misleading Guangcheng, leading to a messy situation. Eventually, Guangcheng's journey leads him to support Trump for reelection in 2020.
Dissident at the Doorstep: Episode 5: Guangcheng’s Year of Living Famously
Following a tense negotiation between the US and China, Guangcheng arrives in the United States to a hero’s welcome. He gives speeches, wins awards, and tries to adjust to life in New York, hosted by NYU. However, cracks start to emerge beneath the glamorous facade.
Episode 3: A Dissident Is Born
Guangcheng is kidnapped and imprisoned by Chinese authorities, transforming him into a symbol of dissent in China and globally. After years of detention, he plans an escape, seeking help to regain his freedom.
Humans That Are Just Humans (Or Why I Made a Documentary About Steve Bannon)
The author, Alison Klayman, discusses her motivations for creating the documentary 'The Brink,' which follows Steve Bannon's efforts to unite the far-right globally. Drawing from her family's Holocaust history, Klayman explores the human capacity for evil and the disturbing parallels between current events and the 1930s-40s. The narrative delves into Bannon's unsettling views and actions, highlighting the dangers of normalizing hate and xenophobia.
Azuma Makoto’s Provocative Botanical Sculptures, in “Flower Punk”
Azuma Makoto, a Japanese botanical artist, is the focus of Alison Klayman's documentary 'Flower Punk.' Known for his avant-garde floral sculptures, Makoto's work includes launching floral arrangements into the stratosphere and submerging them deep in the sea. Initially a punk musician, Makoto found his calling in floral art, eventually gaining recognition in the fashion world with installations for brands like Fendi, Hermès, and Dries Van Noten. The documentary highlights Makoto's struggle to capture the fleeting beauty of life through his art.
“THE BRINK”: “What would Leni Riefenstahl do?”
The documentary 'The Brink' by Alison Klayman follows Steve Bannon post-White House as he promotes economic nationalism and influences right-wing politics globally. Despite his controversial reputation, Bannon is portrayed as a complex figure with a mix of charm and contentious actions. The film provides unprecedented access to Bannon's personal and professional life, though it stops short of being a complete hatchet job. The documentary concludes with the 2018 mid-term elections, suggesting Bannon's continued influence despite setbacks.
"The 100 Years Show" teaser for the documentary short film about Cuban-American artist Carmen Herrera. She is a pioneering abstract painter who began working in the 40s and 50s, but only recently found recognition from the art world as she approaches her 100th birthday.
"The Night Witch" -- an Op-Doc for The New York Times and The New York Times Magazine. This short animated film explores the life of Nadezhda Popova, known as Nadia, who became a World War II hero as part of a Soviet all-female bombing regiment. First published as a collaboration between The New York Times Magazine and The New York Times Op-Docs Series in December 2013, this short has gone on to play at (and win) international festivals. It also screened in for 10 weeks at the IFC Center in 2014.
Ai Weiwei: Never Sorry -- feature documentary theatrical trailer
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