In 1987, Teresa De Sio, a renowned Neapolitan singer, actress, and writer, was in Naples for a concert. The author, a long-time admirer, recounts his experience meeting and photographing her. Teresa shared her artistic journey, from ballet to acting, and eventually to music, influenced by her collaboration with Eugenio Bennato. Despite her busy schedule, her connection to Naples, especially its sea, remains strong. The narrative highlights her unique musical style blending Neapolitan tradition with jazz fusion, folk, and world music, and her collaborations with notable artists like Pino Daniele, Fabrizio De André, and Brian Eno.

Carlo Giuffré, a celebrated figure in Italian theatre and cinema, returned to Naples for a final performance. Having studied at the Accademia Nazionale d’arte drammatica Silvio D’Amico in Rome, he formed lifelong friendships with notable actors. The author, Augusto De Luca, recounts his excitement in meeting Giuffré, who had a distinguished career working with renowned directors and earning prestigious awards. De Luca shares a memorable encounter with Giuffré, highlighting his unique style and the impact of Eduardo De Filippo on his career. Despite missing Giuffré's final performance, De Luca cherishes the portrait session and the stories shared.

Eugenio Bennato, a renowned Italian musician and founder of the cultural movement Taranta Power, is celebrated for his humility and musical contributions. The article reflects on a personal encounter with Bennato, highlighting his achievements, including winning the Nastro d’argento for a film soundtrack and his involvement in promoting Mediterranean music. The narrative also details a photography session with Bennato, capturing his essence amidst his collection of string instruments.

Augusto De Luca recounts his visit to the archaeological site of Pompeii with Nataliya in 2011, where he captured photographs with his Leica D-Luxe camera. He describes the beauty and charm of the ancient city, which evoked memories and ghostly images of a distant past. De Luca took many snapshots without the intention of professional work, aiming to create travel notes and memories. After returning home, he processed the images to give them a retro character, although he is still unsure if they have reached their perfection.

Mimmo Jodice, a prominent figure in photography, is celebrated for his innovative and experimental approach, significantly impacting Italian and international photography. He taught at the Accademia di Belle Arti di Napoli and engaged with renowned artists like Warhol and Beuys. Jodice's work, characterized by a deep socio-anthropological insight, earned him numerous accolades, including the Antonio Feltrinelli Prize and honors from the French Ministry of Culture and Università Svizzera Italiana. The article reflects on his career and personal interactions with the author, Augusto De Luca.

In 1996, the TAV commissioned Augusto De Luca to create a photographic book on Rome titled 'Roma Nostra,' published by Gangemi Editore. The book's launch was accompanied by an exhibition at the Museo di Roma, organized by Giuseppe Gangemi and sponsored by the Presidenza della Camera dei Deputati. The exhibition, initially planned for three months, was extended due to its success. Notable attendees included figures from journalism, entertainment, theater, and sports. The museum acquired twenty photographs for its historical archive, marking a significant achievement for De Luca.

Augusto De Luca recounts his meeting with Roberto De Simone, a renowned theatrical director, composer, and musicologist from Naples, known for his work in preserving and promoting the region's cultural, theatrical, and musical heritage. De Simone has taught at the Accademia di Belle Arti di Napoli, served as the artistic director of Teatro San Carlo, and directed the Conservatorio di San Pietro a Majella. He has been honored with various accolades, including the Accademico di Santa Cecilia and the Cavalierato delle Arti. During their meeting at Teatro San Carlo, De Luca photographed De Simone, capturing images that pleased both of them, and reflected on De Simone's humble beginnings and significant contributions to Neapolitan tradition.

Augusto De Luca reminisces about an exhibition he held in the early 80s at the Ricerca Aperta gallery in Naples, which was a hub for photographic culture. He unexpectedly found photos of the event and recalls the unique work in progress show he organized. With the help of artist Lucia Gangheri and assistants like Bruno Cristillo, De Luca filled the gallery with Polaroid portraits of visitors during the opening night. He used two cameras, a Polaroid LAND 1000 and a rare Polaroid BIG SHOT, similar to one used by Andy Warhol. The exhibition was a success, and De Luca expresses a desire to repeat the experience, despite the current scarcity and quality of Polaroid materials.

Roxy in the Box, also known as Rosaria Bosso, is a celebrated Neapolitan artist known for her contemporary street art, sculptures, and paintings. Her work is characterized by vibrant colors and a Pop Art influence, often incorporating ironic elements that critique societal issues. The author, Augusto De Luca, shares his admiration for Roxy's ability to challenge herself and create beauty inspired by cinema, literature, and music. He recounts a memorable photo shoot with Roxy at a friend's wedding, capturing her essence as a 'Neapolitan American' artist.