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Check FAQAbout Davide
I am a journalist and film critic based in Cork, Ireland. I currently work as a foreign correspondent for the EU-funded press agency Cineuropa. I regularly write reviews, interviews, news and industry report about Irish and European cinemas. I provide extensive coverage of international film events such as the Berlinale, Strasbourg’s Lux Prize, Venice's Biennale, Toronto Film Festival, Tallinn’s Black Nights, Galway Film Fleadh, Amsterdam’s IDFA, Locarno Film Festival, Rotterdam’s IFFR and many others. My bylines appeared on other international outlets such as Variety, New Scientist, The New Arab, POV Magazine, Filmexplorer, The Location Guide, the Reader’s Digest, the Independent Cinema Office’s blog, the Europa Distribution’s Blog and Film Ireland. I am interested in covering film, media and culture topics with a special focus on Ireland, the UK and the EU. Moreover, I am a film curator for the project Support to EU Film Festivals, whose primary mission is to enhance the quality of EU Film Festivals organised by the delegations of the European Union worldwide. I occasionally work as a freelance festival consultant and as an External Examiner in Film Studies for the International Baccalaureate. I am a PhD Excellence Scholar in Film and Screen Media at University College Cork. My research project comprises the writing of an academic dissertation and the making of a feature-length documentary film. I have been lecturing and holding conferences in France, Ireland, Latvia, India and Poland.
Portfolio
Ji.hlava New Visions Forum: The Castle by Virginia Nardelli, Stefano La Rosa
The Castle, an Italian-French documentary project directed by Virginia Nardelli and Stefano La Rosa, was presented at the Ji.hlava New Visions Forum. Set in Palermo, the film follows three children who transform an abandoned kindergarten into a secret refuge, exploring themes of friendship and societal challenges. The project, budgeted at €205,000, aims for international reach and is seeking pre-sale agreements and festival exposure. The film is expected to be completed by early 2025.
Teemu Nikki’s screwball comedy 100 Litres of Gold and a raft of new Nordic projects heading to Tallinn
The 2024 Tallinn Black Nights Film Festival will feature a diverse array of films, including Teemu Nikki's screwball comedy '100 Litres of Gold' from Finland, which will have its international premiere at the festival. The event will also showcase the WWII drama 'Never Alone' and a variety of new Nordic projects, including the mystery-drama 'Valhalla Project' and the comedy-drama 'The Woman I Think About at Night'. The festival will host several industry events, including the TV Beats Screening Day and the Baltic Event Co-Production Market, highlighting the Nordic region's cinematic contributions.
Sofia’s Cinelibri sees panellists discussing film shoots in Bulgaria and co-production opportunities
The Based-on-Books Cinema Forum in Sofia, organized by Cinelibri, highlighted Bulgaria's potential for film production and co-production opportunities. The panel, featuring key figures like Jacqueline Wagenstein and Yana Genova, discussed the success of the Cinelibri festival and Sofia's appeal as a film destination. The National Film Centre of Bulgaria's representative, Stefan Prohorov, emphasized the country's stable film industry and supportive co-production environment. Katya Trichkova shared her experience co-producing the Palme d’Or-winning short film 'The Man Who Could Not Remain Silent'. The event underscored Bulgaria's growing film industry and its supportive infrastructure for filmmakers.
Film Initiative’s Gabrielle Gonçalves explores the bridges between filmmaking and publishing
Gabrielle Gonçalves from France's Film Initiative discussed the intricate process of adapting literary works into films at Cinelibri’s Based-on-Books Cinema Forum. Emphasizing the importance of innovation and strategic rights handling, she highlighted the surge in adaptations in France, driven by the country's literary tradition. Gonçalves explained the complexities of adaptation, including securing rights and creative negotiations, and stressed the need for experience and trend awareness. Film Initiative supports talent from the idea stage, offering script consultancy and book scouting, and actively participates in major book fairs and festivals.
The European Audiovisual Observatory publishes a new report on AI’s impact on the audiovisual sector
The European Audiovisual Observatory has released a comprehensive report examining the legal implications of AI in the audiovisual sector. The study highlights AI's transformative role in content creation, distribution, and consumption, while addressing challenges such as job displacement, data protection, and copyright issues. It explores the impact of AI on the workforce, personality rights, and the potential for disinformation. The report also considers AI's effects on cultural diversity and media pluralism, and questions the adequacy of current regulations to address these challenges. The document serves as a key resource for understanding AI's impact on the industry.
At Rome's MIA, Apulia confirms its role as an international cinema hub
The MIA – International Audiovisual Market in Rome highlighted Apulia's growing role as a hub for international film co-productions. The Apulia Film Commission (AFC) has been instrumental in attracting film projects by offering financial and logistical support. Industry professionals praised the region's versatile locations and local resources, which have facilitated productions like 'House of Shadows,' 'Padre Pio,' and 'Casi El Paraíso.' The AFC's support has encouraged companies like Brandos Film to establish roots in Apulia, further boosting the region's film industry. Upcoming projects include 'Dreamcatchers' and 'Pinocchio Reborn,' showcasing Apulia's potential as a creative synergy hub.
Industry Report: European Film Schools
The European Film Factory, supported by the Creative Europe programme, aims to enhance film education across Europe. Managed by Chiara Zappalà for the Institut français, the initiative collaborates with ARTE Education and European Schoolnet to provide a platform offering European heritage and contemporary films, along with educational resources, to students and educators in 38 countries. The platform includes tools for film analysis, screening kits, and an Eco-conscious Charter. Insights from a workshop at the Tallinn Black Nights Film Festival highlighted best practices for implementing film literacy in classrooms.
Industry Report: Distribution, Exhibition and Streaming
99, a non-profit project based in France, aims to extend the life cycle of short documentaries beyond film festivals by reaching new audiences through multilingual subtitling, free online access, and alternative distribution. The platform receives funding from donations, film submission fees, screening fees, public institutions like the EU's Creative Europe programme, and private foundations. It also organizes film-literacy workshops in various venues. 99 focuses on short documentaries with universal messages, prioritizing original and innovative films by independent filmmakers from developing countries. The platform partners with universities for subtitling and seeks new partnerships with European cultural networks and foundations.
Industry Report: Distribution, Exhibition and Streaming
Benjamin and Daniela Cölle, owners of Pluto Film, discuss their acquisition of the German sales outfit and their editorial policy focused on arthouse and crossover films. They emphasize the importance of quality over quantity in the European film industry and the evolving role of theatrical distribution. Despite challenges posed by the pandemic, they remain optimistic about cinema's future and highlight recent successful projects, including Anna Buryachkova's 'Forever-Forever' and Behrooz Karamizade's 'Empty Nets'.
Olsberg SPI looks into why Dutch features struggle abroad - Industry Report: Produce - Co-Produce...
The Netherlands Film Fund commissioned Olsberg SPI to evaluate why Dutch films struggle to attract foreign audiences. The study, comparing Dutch films with those from Denmark, Sweden, Belgium, and Austria, identified key factors for success, such as co-productions, public funding, and strong creative talent. High-performing films like 'Brimstone,' 'Another Round,' and 'Girl' were analyzed to understand these elements. The findings will inform the Dutch Film Fund's new policies aimed at improving the Dutch film sector, focusing on quality, audience engagement, and better support for filmmakers.
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