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Check FAQAbout Deborah
I have been in media for ten years working in print, web and television. I am based out of Mumbai, India. Most recently, I was an Assistant Editor at The Hindu, covering cinema, new media and the queer community along with other beats like music, theatre, art, animals and the environment. My responsibilities also included copyediting stories, commissioning articles and handling production
Portfolio
Why ‘Jamtara’ connected, according to its co-writer: A clever crime in an ‘unassuming place’
Trishant Srivastava, co-writer of the Netflix show 'Jamtara – Sabka Number Ayega,' reflects on the series' success and its depiction of phishing crimes in the small town of Jamtara, Jharkhand. The show, directed by Soumendra Padhi, is praised for its compelling narrative and deep dive into India's phishing hub. Srivastava discusses the challenges of writing the series, the real-life inspirations behind it, and its exploration of social issues like caste and misogyny. Despite its success, Srivastava remains critical of his work, always feeling he could have written something different.
Interview: The ‘Bittersweet’ truth about sugarcane cutters
Anant Mahadevan's Marathi-language feature film 'Bittersweet' depicts the plight of female sugarcane cutters in Beed, Maharashtra, who are coerced into undergoing hysterectomies to maintain work output. The film, which premiered at the Busan International Film Festival, is set for release in December and has been submitted for consideration in the Best International Feature Film category at the Oscars. Mahadevan emphasizes the human-centric story and the real-life conditions of the workers, aiming for a limited pan-India theatrical release despite the COVID-19 pandemic.
Mira Nair on ‘A Suitable Boy’ series: ‘A wonderful circus of class, love and the human heart’
Mira Nair's adaptation of Vikram Seth's novel 'A Suitable Boy' for BBC One breaks traditional language rules by incorporating Urdu, Awadhi, and Hindi. The series, set in 1950s India, features a large cast including Tabu, Tanya Maniktala, and Ishaan Khatter. Nair emphasizes the importance of music and political themes in the series, which will also be available on Netflix. The adaptation aims to reflect the idealism and romance of Nehruvian India, offering a historical perspective relevant to contemporary times.
‘Scam 1992’ web series explores aspiration and crooked ambition, says director Hansal Mehta
Director Hansal Mehta discusses his upcoming web series 'Scam 1992', which is based on the 1992 securities scam by stockbroker Harshad Mehta. The series, set to premiere on SonyLIV, explores themes of human ambition and the financial world. Mehta reflects on his personal connection to the story, having grown up in a Gujarati middle-class Mumbai environment with similar aspirations. The series aims to present a humanized view of flawed characters and serves as a cautionary tale, highlighting the impact of Harshad Mehta's actions on India's banking and financial systems.
I have worked with The Hindu, an Indian daily broadsheet newspaper, covering culture and lifestyle in Mumbai. I've also written on the environment, gender and sexuality along with new media.
'Bulbbul' director Anvita Dutt: 'Don't be sleeping beauties waiting for princes' kisses'
Sayani Gupta: ‘Axone shines a torch on how diverse culture is’
Sayani Gupta discusses her role in Nicholas Kharkongor’s film 'Axone,' which addresses cultural diversity and racism faced by North Eastern migrants in Delhi. The film, streaming on Netflix, uses the politics of food to highlight these issues. Despite challenging filming conditions, Gupta emphasizes the importance of authentic representation and the need for more stories about women with agency in Indian cinema.
Eoin Colfer on the upcoming film, Artemis Fowl
Eoin Colfer, the Irish author of the Artemis Fowl series, discusses the long-awaited film adaptation of his books, set to release on Disney+ Hotstar on June 12. The film, directed by Kenneth Branagh, has faced numerous production challenges over two decades. Colfer reflects on the journey, the creative liberties taken in the film, and his personal inspirations for the characters. Despite mixed reviews and changes due to the pandemic, Colfer remains proud and optimistic about the film's release.
‘Choked is a Sai Paranjpye thriller on demonetisation’: Anurag Kashyap
Anurag Kashyap's film 'Choked: Paisa Bolta Hai' explores the impact of the 2016 Indian banknote demonetisation on a middle-class couple in Mumbai. Written by Nihit Bhave, the film portrays the struggles of Sarita and Sushant as they navigate financial difficulties exacerbated by demonetisation. The film is noted for its authentic depiction of Mumbai's social fabric and meticulous attention to detail. Kashyap discusses the challenges of separating his personal politics from his work and the collaborative effort in bringing the film to life. 'Choked' is currently streaming on Netflix.
‘Choked is a Sai Paranjpye thriller on demonetisation’: Anurag Kashyap
Anurag Kashyap's film 'Choked: Paisa Bolta Hai' explores the impact of the 2016 Indian banknote demonetisation on a middle-class couple in Mumbai. Written by Nihit Bhave, the film features Saiyami Kher and Roshan Mathew in lead roles. The narrative delves into the couple's financial struggles and the unexpected discovery of cash in their kitchen sink, which is later rendered worthless by demonetisation. The film is noted for its authentic portrayal of Mumbai's social fabric and meticulous attention to detail. 'Choked' is currently streaming on Netflix.
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