The article discusses the evolution of the comic industry in Colombia, highlighting the legal challenges and cultural perceptions that have historically marginalized comics from being recognized as a significant cultural product. It details the impact of the 1993 Law of the Democratization and Promotion of the Colombian Book, which excluded comics from tax benefits, making them more expensive and less accessible. The article features various individuals and organizations, such as Paola Gaviria and Revista Larva, who have contributed to preserving comic production and advocating for legal reform. The efforts culminated in a successful initiative that led to the removal of additional taxes on comics from January 2013, making them more affordable and acknowledging their value as a form of cultural expression.

The author reflects on the end of a four-year relationship, including a marriage proposal and shared apartment, and the realization that material and habitual ties are not enough to sustain a union. The article discusses the common reactions to a breakup, such as blaming oneself or the other, social media stalking, and attempts to move on with friends. It emphasizes the importance of dignity and acceptance in the healing process, rejecting clichés and acknowledging the irrational nature of feelings. The key to recovery is to accept the breakup, avoid dwelling on the past, and focus on self-improvement and emotional maturity.

Canal Capital, in co-production with Centro Ático de la Universidad Javeriana, is launching a new television series titled 'Crónicas de un sueño' directed by filmmaker Raúl García and written by Jorge A. Sánchez, also known as 'Salsa'. The series portrays the controversial 1980s in Colombia, focusing on the victims' perspectives rather than the perpetrators'. It features a cast including Manuel José Chaves, Carlos Duplat, and Martha Isabel Bolaños, among others. The 13-episode series will involve conversations with real individuals who were part of the era's events, such as César Gaviria and Antonio Navarro Wolff. It aims to raise awareness of the country's history, including drug trafficking, paramilitarism, corruption, and the mafia, as well as moments of glory like the story of cyclist Luis Herrera. The series will air on various regional channels starting Sunday, June 16.

Los Once is a creative comic project by illustrators Andrés Cruz, Jose Luis, Miguel Jiménez, and communicator Laura Ubaté, funded through Colombia's first internet crowdfunding platform, La Chévre. It depicts the 1985 siege of the Palace of Justice in a noir, silent style, aiming to reach diverse audiences and preserve historical memory. The comic, supported by the families of the victims, uses the metaphor of twelve mice facing terror during the 27-hour ordeal. The project, inspired by Art Spiegelman's 'Maus', offers a unique narrative form to recount a painful chapter in Colombian history. The free application for reading the comic will be launched on May 9, 2013, with victim's family members attending the inaugural event.

The article discusses the philosopher and writer Fernando Savater's views on ethics and society, highlighting his role in presiding over the Simón Bolívar Journalism Awards. It reflects on the importance of information and the ethical responsibility that comes with increased power through knowledge. Savater's thoughts on the need for moral reflection from childhood and the challenges of achieving accurate, objective, and truthful information in journalism are also explored.

The article discusses 'Tokyo Blues,' highlighting the story's exploration of themes such as death, pleasure, and the essence of living through love. It follows the passive genius of Toru Watanabe, who becomes a catalyst in the hectic lives around him, and his relationship with Naoko, a woman marked by the suicide of her boyfriend Kizuki. The narrative delves into the characters' experiences with love, loss, and the pursuit of meaning in life, with music serving as a backdrop for their emotional journey. The author, Haruki Murakami, is commended for his ability to convey the soul of people through his writing.

Brazilian literature is experiencing a renaissance, drawing inspiration from the country's colorful colonial architecture and its people's vibrant spirit. Historical literary movements, from the Quinhentismo period to Modernism, have shaped Brazil's literary landscape, reflecting societal changes and international influence. Notable figures like Gregório de Mattos e Guerra pioneered protest writing, while contemporary translators like Almiro de Sousa face the challenge of capturing the spirit of texts beyond mere words. With 750 publishers and a significant state investment in children's and educational books, Brazil boasts high literacy rates and a growing editorial market. The Embassy of Brazil in Bogotá, represented by Rodrigo Mendes Carlos de Almeida, emphasizes the country's literary talent and its featured presence at the Bogotá Book Fair.