Eva-Lotta Jansson is a photojournalist with a focus on post-Apartheid South Africa, environmental issues, and wildlife conservation, particularly elephants. Her work includes photo-documentary essays such as 'An Acid River Runs Through It' and 'Women Miners in South Africa'. She contributes to news and humanitarian organizations as both a photographer and videographer, often highlighting the impact of climate change on communities. Jansson has studied journalism and photojournalism in Missouri and London, respectively. She is of Swedish origin and resides permanently in South Africa.

Eva-Lotta Jansson is a photojournalist with a focus on post-Apartheid South Africa, environmental issues, and wildlife conservation. Based in Johannesburg, she has produced photo-documentary essays such as 'An Acid River Runs Through It' and 'Women Miners in South Africa'. Her work often highlights the impact of water scarcity and climate change on communities. Recently, she has expanded her interest to include wildlife, specifically elephants. Eva-Lotta has a background in journalism and photojournalism, having studied at the Missouri-Columbia School of Journalism and the London College of Printing. She is of Swedish origin and has made South Africa her permanent home.

Eva-Lotta Jansson is a photojournalist who operates out of Johannesburg, South Africa. Her work primarily focuses on the impacts of post-Apartheid in South Africa through personal photo-documentary essays such as 'An Acid River Runs Through It' and 'Women Miners in South Africa'. She undertakes assignments for various news and humanitarian organizations, employing her skills in both photography and videography. Jansson's projects frequently address issues related to water resources, the effects of climate change on communities, and more recently, wildlife and conservation efforts, with a particular interest in elephants. She has an educational background in journalism and photojournalism from the Missouri-Columbia School of Journalism and the London College of Printing. Jansson is of Swedish origin and has permanent residency in South Africa.

Eva-Lotta Jansson is a photojournalist with a focus on post-Apartheid South Africa, environmental issues, and wildlife conservation. Her work includes photo-documentary essays such as 'An Acid River Runs Through It' and 'Women Miners in South Africa'. She contributes to news and humanitarian organizations as both a photographer and videographer, often highlighting the impact of water scarcity and climate change on communities. Recently, her attention has turned towards wildlife conservation, particularly elephants. Jansson has studied journalism and photojournalism in Missouri and London, respectively. She is of Swedish origin and resides permanently in South Africa.

Eva-Lotta Jansson provides tips on how to take better travel photos. She suggests starting with planning and creating a destination shot-list. Jansson offers three methods for improving travel photography: taking a bucket-list approach for a dream destination, specializing in a particular aspect of photography such as nature or culture, and downloading her free shot-list guide which includes questions to help build a shot-list. She also encourages practicing travel photography in one's hometown, as familiarity and time allow for exploring different perspectives. Jansson hints at sharing future tips on implementing the travel shot-list to capture exceptional travel pictures.

Eva-Lotta Jansson reflects on the influence of postcards on her photographic work. During a visit to her mother in Sweden, she notices a postcard of a painting by Anders Zorn that resembles a photo she recently took of a sunrise in the Swedish Archipelago. Intriguingly, Zorn used to dock his boat and watch the sunrise at the same spot where Jansson took her photo. She muses whether the postcards she saw growing up subliminally shaped her photographic eye or if it was a coincidence that she found the perfect sunrise spot, which she refers to as a 'friendly joke' by the artistic ghosts of the island. Jansson also notes that postcards can be valuable resources for researching travel stories and finding destination highlights.

Eva-Lotta Jansson discusses the power of storytelling for CEOs and founders of startups, particularly in the United States. She uses the framework of the 'hero's journey' to suggest that company leaders can transform their sales copy and company narratives into inspiring stories. Jansson shares an anecdote of a CEO who hired her to write his company's story, illustrating how personal experiences and challenges can be crafted into a compelling narrative. She also touches on the importance of authenticity and self-awareness in storytelling, and how overcoming obstacles can inspire others. The article serves as a call to action for CEOs to embrace their personal stories to connect with their audience and enhance their brand.

The article is an obituary and a call to action following the death of Sudan, the last male Northern White Rhino, at Ol Pejeta Conservancy in Kenya. The author, Eva-Lotta Jansson, reflects on the significance of Sudan's death, not only as a loss of a species due to poaching and environmental threats but also as a symbol of the broader challenges facing wildlife conservation. Jansson emphasizes the complexity of conservation issues, which include poverty, land availability, and human-wildlife conflict. She advocates for education and understanding of these issues, drawing on her experiences and the insights of those living and working in Africa. The article also touches on Jansson's personal experiences with wildlife photography and her upcoming book.

Eva-Lotta Jansson shares an excerpt from her new book 'On the road to elephants,' which is a photographic journey focusing on South Africa's elephants. She recounts a memorable experience in Kruger Park where she encountered a large elephant while driving through the park. The book is not just a collection of elephant photographs but also a personal travel narrative and an informal guidebook. It explores the relationship between humans and elephants in South Africa and discusses the importance of elephants as a keystone species in the African ecosystem. The book aims to document the situation of elephants in South Africa and their significance in the broader context of African wildlife conservation. 'On the road to elephants' is available in online bookstores worldwide, and the article is also published on CreativeExperienceSA.com/blog/.

Ronaldo Nuku, an 11-year-old from Davidsonville, expressed his concerns about the safety of the local wetland and public park. He mentioned that he is not allowed to play there due to the potential dangers, such as sinking or being pulled in by the water. Ronaldo believes the water might be polluted and opts to play in his yard instead of the park or street to avoid the unsafe waterlogged areas.

In 'An Acid River Runs Through It', photographer Eva-Lotta Jansson explores the severe impact of acid mine drainage on South Africa's water sources and communities. The book documents the release of toxic substances like lead, zinc, copper, and uranium from mining activities into the environment, affecting groundwater and surface water. It highlights the disproportionate effect on disadvantaged populations and the broader threat to public health and well-being. Jansson's work includes both striking photographs of the polluted landscapes and intimate portraits of those directly affected, such as farmers and children. The book also features interviews with experts and victims, providing a factual account of the issue within a historical context. It serves as a testament to an environmental catastrophe and a human rights violation in South Africa, containing 64 photographs and approximately 8,000 words.

Eva-Lotta Jansson's book 'An Acid River Runs Through It' is a photographic documentation of the impact of acid mine drainage on water sources and communities in South Africa. The book highlights the release of toxic substances like sulphates, lead, zinc, copper, and uranium from mining activities into the environment, affecting groundwater and rivers. It emphasizes the threat to water resources and well-being, with a particular focus on disadvantaged communities. Jansson's work includes both striking landscapes altered by pollution and intimate portraits of those affected, such as farmers and children. The book, containing 64 photographs and approximately 8,000 words, also features interviews with experts and victims, providing a factual account of the issue within a historical context. It portrays the situation as an environmental disaster and a human rights violation.