The article is a review of the film 'The Survivalist,' which has been nominated for a BAFTA and belongs to the post-apocalyptic horror/thriller genre. The reviewer is critical of the tendency to overrate low budget features but acknowledges the film's high-quality cinematography and acting. The plot revolves around a man trying to survive in a desolate world, with minimal resources and the intrusion of two women into his life. The film is compared to other works like 'Threads' and 'The Beguiled,' and while the reviewer points out some flaws, such as a lack of tension and slow pacing, the conclusion is that 'The Survivalist' is worth keeping for its well-delivered content. The film is available on DVD.

The article by Gail Spencer compares the films 'Interstellar' and '2001: A Space Odyssey', highlighting their differences in depth, scientific accuracy, and cultural impact. 'Interstellar', directed by Christopher Nolan, is critiqued for its plot flaws and lack of scientific credibility despite its visual appeal and the involvement of a theoretical physicist in its production. In contrast, '2001: A Space Odyssey', directed by Stanley Kubrick and adapted from Arthur C. Clarke's work, is praised for its philosophical depth and enduring influence on the science fiction genre. The article also discusses the broader context of science fiction's role in reflecting societal fears and advancements, mentioning the Bfi's 'Days of Fear and Wonder' season, which showcases sci-fi classics and explores the genre's impact on culture and technology.

The article reviews the London Korean Film Festival 2014, highlighting the distinct and boundary-pushing nature of Korean cinema. It mentions the funding challenges faced by Korean filmmakers and suggests potential for film funders to invest in the Korean market. The festival showcased a variety of films, including family melodramas, action films, and LGBT-themed works. Notable films discussed include 'The Dinner', 'Poetry', 'Obsessed', 'Manshin', 'Night Flight', 'A Girl at My Door', 'Man on High Heels', 'A Man in Love', 'The Target', 'Hywai: A Monster Boy', and 'Haemoo'. The article also touches on the work of director Kim Ki-duk, particularly his films 'One on One' and 'Moebius'. The festival's offerings are praised for their emotional depth, unique storytelling, and cultural significance, despite some lacking coherence or deeper exploration into their themes.

The article discusses the trend of male geek comedies, targeting a middle-aged, middle-class demographic, with films that often feature far-fetched plotlines and humor centered around male insecurities and relationships. It highlights the success of the 'American Pie' franchise and its influence on similar comedies. The British contribution to this genre is noted through Nick Hornby's novels and their film adaptations. The article then reviews the film 'In Security', directed by Evan & Adam Beamer, praising its casting, comedic timing, and storyline while critiquing the underuse of talented actors and the unnecessary inclusion of Vinnie Jones. The film's plot involves two home security business owners who turn to crime due to a lack of business. The review concludes by comparing 'In Security' favorably to other comedies, though not quite reaching the heights of the best in the genre.

The article reviews several TV series released in 2014, including 'Masters of Sex: Season One', 'Hemlock Grove: Netflix Web: Series One', 'Bomb Girls: Season Two', and 'Chris Tarrant Extreme Railways'. 'Masters of Sex' is praised for its critical acclaim and portrayal of sexologists Masters and Johnson. 'Hemlock Grove' is noted for its cult following and horror elements, despite a confusing plot. 'Bomb Girls' is recognized for its depiction of women in a munitions factory during WWII, though it's considered light in its delivery of serious themes. 'Chris Tarrant Extreme Railways' is described as a travel series that explores the importance and challenges of train infrastructure in various terrains and countries. The article provides a detailed analysis of each series, highlighting their themes, character development, and the historical or cultural context they address.

The article is a critical review of several British films, with a focus on their quality and impact. 'We Are the Freaks' is harshly criticized for its lack of character development and relevance, being labeled as one of the worst films of 2014. 'Hello Carter' is seen as a film with potential but ultimately falls short due to a confusing script and a failure to explore more interesting themes. 'We Still Kill The Old Way' is discussed as a film that could have made a strong commentary on violence but lacks a moral core and fails to fully engage the viewer. 'Cuban Fury' is praised for its dance sequences and the joy it brings, despite its predictable plot. Lastly, 'Downhill' is highly commended for its realistic portrayal of middle-aged life and friendship, drawing comparisons to 'Withnail and I'. The article provides a detailed critique of each film, highlighting strengths and weaknesses, and the cultural context of British cinema.