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Gembong Nusantara

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English Indonesian Javanese
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About Gembong
Gembong Nusantara is an Indonesia-based documentary photographer and filmmaker who is interested in telling stories about humans, culture and the environment. He studied English Literature in Universitas Sanata Dharma, Yogyakarta. While studying, he found a medium for his storytelling, photography, and started his professional career as a stringer for Associated Press Jakarta Bureau in 2009. One year later, he got a scholarship to pursue the Photojournalism Program at Konrad Adenauer ACFJ Ateneo de Manila, Philippines. He also studied Advanced Visual Story Telling at the world-renowned Danish School of Media and Journalism, Denmark in 2015.

Gembong is a part-time farmer and a lifetime father. His debut short documentary film, Agave Amica, is officially selected for Visions du Réel 2022.
 
His works have been published in 
- Washington Post,           - Al Jazeera,                 - Voice of America, 
- Society Magazine,          - Internazionale,        - Wall Street Journal, 
- Time,                                  - New York Times,     - The Diplomat,  
- Get Lost,  and many other international publications.

He has been commissioned by international organisations; such as 
- World Animal Protection,            - USAID,                                                                   - International Republican Institute,           - International Renewable Energy Agency
- International Monetary Fund,     - Hong Kong Trade Development Council,     - Global Citizen,                                               - International Council of Nurses
- Facebook's Libra,                            - The Bureau of Investigative Journalism,       - Euronews            etc.

He is based in Jakarta, Indonesia. He is available for assignments and commissions across Indonesia and Southeast Asia.
Services
Interview (Video / Broadcast) Documentaries Photography
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Topics
Finance Politics Current Affairs
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Portfolio

Transcendence by Joelle Chmiel

07 Sep 2024  |  www.dodho.com
Joelle Chmiel's series 'Transcendence' explores daily life scenes and objects in a transcendental manner, aiming to provoke emotional and intellectual responses from viewers. Her work delves into themes of solitude, fear of loneliness, and death, challenging viewers to reinterpret and expand their perceptions. A self-educated Swiss photographer, Chmiel transitioned from a medical career to full-time photography after receiving a Leica camera in 2014. Her work has been recognized and awarded by several prestigious photography competitions and exhibited in Berlin and London.

Nikhail Asnani; Light painter

09 Jun 2024  |  www.dodho.com
Nikhail Asnani, a director, writer, and light painter, is known for his films and one-man shows. He has achieved recognition in film festivals and screenplay competitions, winning the Big Apple Film Festival. Currently working for Valdoro Entertainment, his work has been showcased in European galleries and nominated for the Paris Art and Movie Awards. His collections 'Feelings Will Hurt Me' and 'Reclamation' explore themes of vulnerability, romantic exploration, and reclaiming one's artistic voice.

Indonesia’s bustling capital is home to over 10 million people who seek shelter indoors from the blistering urban heat. But one brilliant architecture professor is painting the skyline with a sun-reflecting paint in a bid to cool down the city.

IMF Finance and Development - Southeast Asia Perspective, Indonesia.

Indonesia ‘My parents thought this man would take care of me’ In Indonesia, former child brides push back, seek change

15 Jun 2021  |  Voice of America
The article discusses the issue of child marriage in Indonesia through the personal story of Rasminah, a former child bride who is now an activist against the practice. Despite a decline in child marriage rates, Indonesia still faces challenges due to cultural, social, legal, and religious complexities. The article highlights the efforts of activists and organizations to change discriminatory laws and promote education over early marriage. It also covers the Constitutional Court's decision to address the discriminatory minimum legal age for marriage and the role of local activists in preventing child marriages. The story of Megawati, another activist, is also shared, illustrating the impact of local efforts to combat the practice.

Nashin Mahtani is the director of PetaBencana.id, a free and open-source platform for emergency management and disaster planning.

On the foot of Mount Merbabu, a farmer's collective actually harvesting significant benefit from their collective organic farm. By planting multi crops organically and on rolling basis, they can harvest it every day to meet the demand for healthy food

The ‘Unsmoke’ screen: the truth behind PMI’s cigarette-free future

24 Feb 2020  |  The Bureau of Investigative Journalism (en-GB)
The article discusses PMI's heated tobacco device, Iqos, which is seen as a middle ground between traditional cigarettes and e-cigarettes. Unlike vapes, Iqos uses real tobacco and heats it to release nicotine without burning it, supposedly reducing the intake of carcinogens. PMI's CEO, Calantzopoulos, who has transitioned from smoking to using Iqos himself, aims to convert 40 million smokers to PMI's alternative products by 2025. The article also touches on the economic reasons behind PMI's focus on heated tobacco products over e-cigarettes, such as adaptability of cigarette manufacturing processes and higher profit margins. Iqos has been successful in markets like Japan, South Korea, Russia, and Italy, contributing to declining cigarette sales.

Reflections on Bali: The Impact of Over-Tourism

04 Oct 2018  |  Explore Parts Unknown
The article reflects on the transformation of Bali, comparing the current state of the destination to places like Cancun and Miami, suggesting it has lost some of its unique charm. The author expresses a sense of disappointment, hinting at over-commercialization and the loss of the authentic experience that once drew travelers seeking spiritual and physical improvement. The tone suggests a critique of the changes brought by tourism and possibly globalization, as symbolized by the mention of Jimmy Buffett. The text is adapted from Anthony Bourdain's narration for an episode, presumably of his travel show.
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