The term 'shogun' has a deep-rooted history in Japan, referring to military commanders and later to those governing in the emperor's name. The term gained Western fame in the 1970s through James Clavell's novel 'Shogun,' which was adapted into a successful miniseries starring Richard Chamberlain. A new adaptation by Disney+ and Star+ aims to be more historically accurate and culturally sensitive, featuring a diverse cast and multiple perspectives. Despite initial production challenges, the new series promises to offer a fresh take on Clavell's story, distancing itself from the Western-centric view of the original.

Room 404, directed by Yeom Ji-ho, is a South Korean film that blends various genres but fails to deliver a cohesive experience. The story revolves around Chan-woo, who wakes up in his neighbor's bed next to a dead body, leading to a series of events confined mostly to a single room. Despite its potential for suspense, the film's mix of comedy and absurd situations undermines its tension. Oh Dong-min's performance is inconsistent, and the film ultimately falls short of being either a compelling thriller or a successful comedy, leaving it in a gray area of entertainment.

The Disney+ series 'Echo' has been met with a lukewarm reception, criticized for its lack of compelling storytelling and character development. The series, which follows Maya Lopez, a secondary character from the Marvel comics, struggles to provide an engaging narrative or character evolution. Despite Alaqua Cox's impressive physical performance, the series is deemed apathetic and fails to balance serious drama with the excitement expected from Marvel's action scenes. The show's attempt to offer adult drama without the usual Marvel cinematic exaggerations ends up being tedious, overshadowing the potentially interesting elements of Maya's ancestry, motivations, and internal conflict.

Disney's 'Wish: The Power of Wishes' is an epic adventure film with good songs and self-referential nods to celebrate the company's 100th anniversary. Directed by Chris Buck and Fawn Veerasunthorn, with a script by Jennifer Lee and Allison Moore, the film features a voice cast including Ariana DeBose and Chris Pine. It tells the story of Asha, a young woman who discovers that the powerful wizard and leader of her town is a dictatorial figure, prompting her to lead a revolution. The film is filled with numerous references to Disney's history and is designed to appeal to both nostalgic adults and the important child demographic with its empowered heroine and adventurous epic. Despite the controversy over the use of AI in song creation, the film successfully blends classic and modern elements, with animation that pays homage to Disney's golden age.

The film 'La secta del Himalaya' directed by Sophon Sakdaphisit, tells a chilling story of a family forced to move due to economic hardships. The narrative follows Ning, her husband Kwin, and their daughter Ing as they encounter mysterious and occult phenomena in their new apartment. The film effectively balances suspense and family dynamics, offering a unique perspective by shifting viewpoints midway. The director's focus on human unpredictability and deep-seated fears adds depth to the horror, making it more profound than conventional scares.

The article explores behind-the-scenes stories of five notable films, highlighting the challenges and controversies faced during their production. 'Propuesta indecente' sparked debates on social issues and faced accusations of racism and sexism. 'Perdidos en Tokio' dealt with Bill Murray's erratic behavior and on-set tensions. 'La fuerza del cariño' was marked by emotional performances and off-screen conflicts. 'Lo que queda del día' overcame initial setbacks to become a classic, while 'The Truman Show' predicted the rise of reality TV and underwent significant changes before its success. The narratives reveal the complexities and unexpected outcomes in the film industry.

The film 'Un siniestro cuento de Navidad' directed by Steven LaMorte is a self-parodic horror adaptation of Dr. Seuss's 'Cómo el Grinch robó la Navidad'. The review criticizes the film for its lack of narrative structure, poor creative decisions, and inability to decide whether it is a parody or a serious homage. The story follows Cindy, who returns to her hometown twenty years after witnessing her mother's murder by a Grinch-like monster, only to face the creature again. The film is described as a failed attempt at blending horror and comedy, ultimately disappointing in its execution.

The Curse of the Queen Mary skillfully blends reality and fiction to create a horror film with a unique identity. Directed by Gary Shore, the story unfolds in two timelines, focusing on a technical malfunction and a massacre in 1938, and its repercussions in the present day. The film is praised for its atmosphere and photography, which effectively build tension. However, its excessive duration and some redundant scenes slightly detract from the overall experience. Despite these flaws, it remains a well-executed and enjoyable horror film, recommended for group outings.

The film 'Juega o muere' (All Fun and Games) is critiqued for its lack of originality and predictable plot. Set in Salem, the story involves brothers Marcus and Jonah who find a cursed knife, leading to a series of demonic possessions and deadly games. Despite a promising start, the film fails to maintain interest, devolving into a typical supernatural slasher. The review highlights the film's recognizable young cast but ultimately finds it unable to escape its own narrative confusion.

Margot, tormented by nightmares of a demonic spirit, returns to her childhood home on her therapist's advice, leading to a series of ghostly encounters. The film, directed by Lawrence Fowler, is criticized for its lack of creativity and reliance on common horror tropes. Despite some effective use of sound and makeup, the film fails to deliver a unique or compelling experience, falling short of the standards set by more innovative horror films.

With the return of democracy in Argentina in 1983, the cultural landscape saw a shift towards exploring new ideas and breaking away from censorship. 'Las lobas' (1986), directed by Aníbal Di Salvo, epitomized a style of cinema that thrived on sensuality and popular appeal. The film starred Camila Perissé, who was then considered one of Argentina's sexiest women. Despite its attempt at comedy, the film's provocative title and poster aimed to attract audiences. The narrative follows two sisters, played by Perissé and Leonor Benedetto, who return to Argentina to support their mother after their father's death. The film marked a turning point for its cast, with some actors ending their film careers and others, like Benedetto, seeking new professional paths. For Perissé, the film was part of a tumultuous period marked by personal struggles and a search for meaningful roles. 'Las lobas' ultimately failed to leave a lasting impact and was largely forgotten, serving as a reminder of the era's cinematic trends and the personal journeys of its actors.

The article highlights the success of Argentine actors Agustín Pardella and Matías Recalt in the Spanish film 'La sociedad de la nieve,' which is gaining attention on Netflix and is a contender for the Oscars. Directed by J.A. Bayona, the film portrays the harrowing true story of a 1972 plane crash in the Andes. Both actors have notable careers in film and theatre, with Recalt playing Roberto Canessa and Pardella portraying Nando Parrado. The film is praised for its humanistic approach and has received positive reviews from both critics and audiences. Recalt is also nominated for several awards, including the Goya and CEC awards.

A family facing economic hardships moves to a smaller apartment, renting out their house to a retired doctor and her daughter. The mother, Ning, begins to suspect something sinister when her husband, initially opposed to the move, suddenly agrees. A neighbor warns of black magic and occult activities, leading Ning to discover a cult targeting her daughter. The film effectively builds suspense and explores family dynamics, culminating in a unique and unconventional conclusion. The director, Sophon Sakdaphisit, focuses on the unpredictability of human relationships and the lengths people will go to overcome tragedy, creating a deeper and more profound fear than typical horror tropes.

Guillermo Coppola's extraordinary ability to blur the lines between fiction and reality colors his memories of the 1990s, a period marked by excess and chaos. The pivotal moment in his relationship with Diego Armando Maradona occurred during a house fire in Barrio Parque in 2002, symbolizing Maradona's downward spiral. The incident, involving fireworks and paintball guns, led to significant financial and personal losses for Coppola, including a lawsuit and the near loss of his luxury apartment. Despite the turmoil, Coppola's enduring friendships provided crucial support, allowing him to navigate the aftermath of his association with Maradona.

The film 'Atentado en el aire' is criticized for its nonsensical plot and apathetic execution, failing to provide even basic entertainment. The cast, including Jonathan Rhys Meyers and Alec Baldwin, cannot salvage the film, which is marred by poor writing and direction. The film occupies a grey, apathetic zone among cinematic air tragedies.

Guillermo Coppola, former manager of Diego Maradona, faced a turning point in their relationship following a fire at a rented house in Barrio Parque in 2002, which culminated in a downward spiral for Maradona. The fire, which started from fireworks stored by Maradona, resulted in a lawsuit against Coppola for over four million dollars, leading to the near loss of his assets, including his luxury apartment. The incident is depicted in the series 'Coppola, El representante.' Despite the challenges, Coppola managed to avoid the auction of his apartment through the support of friends, reflecting on the transient nature of money and the value of friendship.

Juan Minujín discusses his role as Guillermo Coppola in the new series 'Coppola, el representante', premiering on Star+ on March 15. The series explores the 1990s and Coppola's multifaceted life, including his relationship with Diego Maradona. Minujín delves into the challenges of portraying a public figure known for his anecdotes and the process of transforming into Coppola, including character research and physical transformation. The series, directed by Ariel Winograd, aims to go beyond the public persona to reveal the human side of Coppola's life.

The article explores the making of the series 'Coppola, el representante,' focusing on Juan Minujín's portrayal of Guillermo Coppola. It delves into the 1990s' cultural fascination, Coppola's multifaceted life, and Minujín's preparation for the role. The series, directed by Ariel Winograd, aims to go beyond Coppola's public anecdotes, exploring his deeper human relationships and significant life events. Filming took place in Naples, capturing the city's historical connection to Maradona and Coppola. The series will be available on Star+ from March 15.

Following the return of democracy in Argentina in 1983, the film 'Las lobas' (1986) emerged as an example of cinema that capitalized on the 'revealing' trend, with Camila Perissé as the leading figure. Despite its attempt at comedy, the film was criticized for its lack of cinematic merit and is remembered as a low point for its cast members. While it marked the end of Juan Carlos Thorry and Ana María Campoy's film careers, Leonor Benedetto used it as a turning point to seek more meaningful roles. For Perissé, the film was part of a personal struggle with addiction and a search for roles that resonated with her beyond her physical appearance. 'Las lobas' is largely forgotten today, except as a career pivot for its actors and as an example of objectification in cinema.