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Check FAQAbout Jacob
Jacob Russell is a freelance writer, photographer and video journalist based in the Middle East. He trained as a press photographer in the UK and then moved to Iraqi Kurdistan to become picture editor and trainer at Metrography, Iraq's first photo agency. There he mentored Iraqi photographers and worked to raise the profile of Iraqi photojournalism on the international stage. As a freelancer Jacob covered the rise and eventual military defeat of the Islamic State in Iraq and the changing fortunes of Iraqi Kurdistan. He is now based in Lebanon from where he continues to cover the Middle East and further afield. He specialises in reporting on the use of cryptocurrency and blockchain in fragile economies. Jacob is also a regular collaborator with Raw Music International, making short films focusing on music in changing places. With RMI he has produced films from Iraq, Myanmar, Ukraine and Mongolia. His work has been published in the Guardian, Le Monde, Der Spiegel, Neon Magazine, Neue Zurcher Zeitung, Die Zeit and CNN, amongst others. His video work has appeared on NBC.com and Time.com and he has also published written work in Der Spiegel, Al Jazeera English and Roads & Kingdoms.
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Portfolio
In Lebanon, Packed Restaurants Hide a Deepening Divide
Lebanon is experiencing one of the worst economic crises in recent history, leading to widespread poverty. Despite this, bars and restaurants are bustling as the summer season begins, highlighting a stark contrast between the wealthy and the poor.
A Look at Mel Brooks on His 95th Birthday
Mel Brooks, on his 95th birthday, is celebrated as the last great Hollywood Jew, embodying a unique blend of Jewish indignation and pride. His service in World War II deepened his Jewish identity, and his post-war career in comedy has been marked by an unabashed embrace of Jewish culture. Brooks' work, including the '2000 Year Old Man' with Carl Reiner and films like 'Blazing Saddles' and 'Spaceballs', often features Jewish humor and Yiddish language. His films are seen as gifts to both Jewish and gentile audiences, with moments that are deeply personal and cleansing for Jews. Brooks' relentless Judaization of art is also evident in his remake of 'To Be or Not to Be', which contrasts with the original by emphasizing Jewish characters and themes. Throughout his career, Brooks has used humor as a means of protest against death and a way to elevate Jewish dignity.
Dancing with the dead in the highlands of Madagascar.
Lebanon's economic spiral sends youth fleeing.
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