The article examines how Covid-19 disproportionately affects working-class neighborhoods globally, focusing on cities like Madrid, Lima, and Cape Town. It highlights the socio-economic disparities exacerbated by the pandemic, with poorer areas experiencing higher infection rates and inadequate healthcare. The piece criticizes local and international responses, including the Madrid Regional Government's restrictive measures and the IMF's financial aid, suggesting these actions may not effectively support the most vulnerable populations. The narrative underscores the broader implications of neoliberal policies on public health and social inequality.

The article discusses the tragic ends of three ambitious leaders: Kiros, Somoza, and Caracalla. It begins with a reference to Belarus President Aleksandr Lukaşenko's recent actions, drawing a parallel to historical figures. Kiros, a Persian king, meets his end due to his ambition to conquer the Massaget tribe led by Tomris. Anastasio Somoza Debalye, a Nicaraguan dictator, is assassinated by Sandinist revolutionaries. Caracalla, a Roman emperor, is killed in a surprise attack while on a campaign. The article highlights the common theme of ambition leading to downfall and reflects on the nature of justice and retribution in history.

The article contrasts violent and peaceful rhetoric in the context of historical and contemporary struggles in Cyprus and the surrounding region. It highlights the barbaric nature of a poem by Fikret Kürşad, while praising the courageous words of Kostas Kleanthus and Mehmet Yaşın, who wrote about shared struggles and dreams of peace. The text also recalls the assassination of two communists, Derviş Ali Kavazoğlu and Kostas Mişaulis, by the TMT while they were promoting peace and unity. Furthermore, it reflects on the execution of 200 Greek communist soldiers in 1921 and the arrest of Vanlı Kazım and Greek Istavridis in 1923 for promoting communism. The article suggests that recognizing the true instigators of past conflicts is crucial to establishing a genuine sense of brotherhood, rather than relying on romanticized narratives.

Western metropolises are grappling with their colonial past, symbolized by the toppling of statues representing racist legacies. Statues of figures like Lenin and Marx are contrasted with those of slave traders, highlighting the different historical contexts and motivations behind their removal. The article critiques simplistic comparisons and emphasizes the importance of understanding the distinct backgrounds of revolutionary and colonial figures. It also touches on the changing aesthetic perceptions of statues and the enduring relevance of historical contradictions.

The article delves into the historical narrative of Periandros, a tyrant of ancient Greece, and his interactions with Thrasybulos, the tyrant of Miletus. It explores the metaphorical advice given by Thrasybulos on maintaining power by eliminating prominent citizens, a lesson Periandros takes to heart. The text also reflects on the broader implications of tyranny and governance, drawing parallels to modern concepts like social engineering and consent manufacturing. Historical figures such as Herodotos, Lucius Tarquinius Superbus, and Tomris are referenced to illustrate the timeless nature of these political dynamics.

The article discusses the Antifa movement, its origins, and its historical significance, particularly in the context of recent events in the United States. It traces back to Ernst Thalmann and the German Communist Party's founding of the Antifaschistishe Aktion in 1932. The piece explores the movement's evolution, its various influences, and its resurgence in the West, especially in light of President Donald Trump's designation of Antifa as a terrorist organization. The article also touches on the relationship between communism and African Americans, as well as the implications of Antifa's activities in the current political climate.

Societies often use euphemisms to describe periods of conflict, with terms like 'confusão' in Angola and 'tatsızlıklar' in Lebanon. Music, deeply intertwined with these times, reflects the struggles and resilience of people. Fernando Sofia Rosa, an Angolan artist, used his native language to voice the daily lives of the poor, becoming a victim of the civil war. Songs like Luiz Visconte's 'Chofer de Praça' subtly criticized colonialism. Post-independence, artists like Teta Lando celebrated freedom, while Cuban musicians like Silvio Rodriguez and Pablo Milanes supported Angolan fighters, blending their art with the harsh realities of war.

Colombia, previously marked by street protests and paramilitary assassinations, faces a new challenge with the Covid-19 pandemic. ELN commander Uriel criticizes the Colombian government's neoliberal policies and inadequate healthcare system, highlighting the crisis's impact on the poor and working class. Uriel emphasizes the need for a healthcare system that guarantees dignified living for all citizens and criticizes the government's prioritization of military spending over public health. The ELN's unilateral ceasefire during the pandemic contrasts with the government's continued military operations. Uriel foresees a post-pandemic world where capitalism's flaws are exposed, potentially leading to increased social movements and demands for systemic change.

The article explores the cultural and historical significance of the Mediterranean region, highlighting the shared heritage and struggles that unite its people. It focuses on the Greek political hip-hop group Social Waste and their new album 'Σύνορα/Sınırlar,' which delves into themes of social struggle and unity across the Mediterranean. The group uses traditional instruments combined with hip-hop and electronic music to create a unique sound that resonates with the region's history. The article also references historical figures and events, emphasizing the deep-rooted connections and shared experiences that define the Mediterranean identity.

The article explores the intersection of science fiction and historical context, focusing on works by authors like Bruno Jasieński and Aleksandr Bogdanov. It discusses how these works reflect societal issues, such as class struggles and political ideologies, particularly communism. The narrative also touches on the relevance of these themes in contemporary times, especially in the context of the COVID-19 pandemic. The article highlights the enduring impact of these authors and their works on both literature and social thought.

The Philippines is struggling with the COVID-19 crisis, and the government's lockdown measures have sparked controversy due to increased hunger and poverty. The Philippines Communist Party (CPP) and its armed wing, the New People's Army (NPA), criticize President Rodrigo Duterte's administration for failing to protect the population and relying on oppressive military lockdowns without adequate medical and socio-economic measures. The CPP supports public health system reforms and condemns military spending and corruption. Despite the challenges, the CPP remains optimistic that the Filipino people will overcome the health crisis, and they foresee intensified struggles and protests against the current social system and government failures post-crisis.

In the spring of 1945, as Soviet troops entered Berlin, the lines between joy and sorrow, hope and darkness blurred. A poem found in the Gestapo headquarters, written by Harro Schulze-Boysen, a high-ranking official executed for spying for the Soviet Union, encapsulates the spirit of defiance against the Nazi regime. The article recounts the stories of resistance fighters like Kurt Schumacher, a sculptor and member of the German Communist Party, and his wife Elisabeth, who fought against the Nazis despite the risks. It also mentions Herbert and Marianne Baum, Jewish resisters who were eventually captured and killed. The article reflects on how these individuals fought for humanity during the darkest times and questions the role of history in judging the past, suggesting that the true power of history lies in the legacy it leaves for the future.

Vijay Prashad's book 'Üçüncü Dünya Üzerinde Kızıl Yıldız' explores the impact of the October Revolution across Asia, Latin America, and Africa, highlighting the journey of Naciye Hanım, a Turkish communist. The book emphasizes her significant role in the 1920 Baku Congress, where she advocated for women's rights and criticized the exclusion of women from political activities. Prashad's narrative connects various global experiences, offering a rich historical perspective on the influence of the October Revolution.

The Italian partisan song 'Çav Bella' (Bella Ciao) gained renewed global popularity through the television series 'La Casa de Papel'. The song, which has a history of being sung by Italian partisans during World War II against fascist forces, has been embraced in various cultures, particularly in Turkey, where it has been performed by Grup Yorum and others. The song's melody may have origins in Klezmer music, and its lyrics have evolved over time. 'Çav Bella' became widely known after being performed at the 1947 World Festival of Youth and Students in Prague. Don Andrea Gallo, known as the 'Red Priest', further popularized the song during his lifetime.