An anonymous cyberterrorism act has permanently disabled the Internet, leading to the collapse of global trade, travel, and communication. In a digital no-man's land called the Croft, Mary is approached by grieving families seeking connections to lost ones, raising questions about her true abilities and intentions.

The story revolves around a series of interconnected events involving a group of performers who execute a dance routine on a driverless bus, a Google employee named Lisa Kroenig, and a hostage situation on a Google staff bus. The performers, Iker, Paulo, and Molly, are part of the 'unconnected' community living in Charleston Park, who are affected by the city's technological advancements and the resulting social divide. Lisa, a Google R&D employee, becomes a hostage when a hijacker demands justice for the Charleston Park murders, believing Google has evidence. The situation escalates into a standoff with the police, resulting in the hijacker's death and Lisa being shot. The aftermath includes Google's response to the crisis and Lisa's recovery, with lingering questions about the hijacker's motives and actions.

The study evaluates the robustness of cancer-cell intrinsic subtypes for stratifying patient samples in colorectal cancer biopsies, focusing on the CMS and CRIS molecular classifiers. It finds that CRIS provides a more robust classification than CMS, particularly in biopsy samples which may contain varying levels of stromal intratumour heterogeneity. The research suggests that CRIS classification is less confounded by intratumour heterogeneity and may be better suited for patient stratification in clinical trials using biopsy samples. The study supports the use of CRIS transcriptional subtypes for patient stratification in prospective colorectal cancer trials.

The article explores the allure of volcanoes through the lens of Werner Herzog's film 'Into the Inferno,' featuring volcanologist Clive Oppenheimer. The film examines the intersection of volcanology with anthropology and culture, visiting active volcanoes worldwide. It highlights the tension between scientific understanding and traditional beliefs, showcasing how local cultures are shaped by volcanic landscapes. Oppenheimer discusses the challenges of predicting eruptions and the ethical considerations of filming. The film emphasizes the shared human desire to understand the natural world's destructiveness, while also acknowledging the uncertainty and risk associated with living near volcanoes.

The article explores the fascination with volcanoes through the lens of Werner Herzog's documentary 'Into the Inferno,' featuring volcanologist Clive Oppenheimer. The film delves into the intersections of volcanology, anthropology, and local cultures, visiting active volcanoes worldwide. It highlights the tension between scientific understanding and traditional beliefs, emphasizing the ethical considerations in documenting such phenomena. The narrative underscores the unpredictability of volcanic activity and the challenges in forecasting eruptions, while also celebrating the human desire to understand and explain the natural world's destructiveness.

The narrative explores the manipulation and exploitation within the metaverse and art market, focusing on the story of Andre Hendrix, a street artist known as Fragileman. The protagonist and his associate, Dave Clutch, orchestrate a pump-and-dump scheme using NFTs and predictive policing technology from PreScience. The story highlights the ethical and moral dilemmas of turning art and individuals into tradable financial products, culminating in a tragic end for the artist, which is then further exploited for financial gain.

Jack Womack's lifelong fascination with flying saucers has culminated in a lavish art book, 'Flying Saucers are Real!', showcasing his extensive collection of retro UFO pulp fiction covers. The book, accompanied by Womack's witty commentary and a foreword by William Gibson, is also the subject of an exhibition at New York's Milk Gallery. Womack reflects on the evolution of UFO paranoia into broader conspiracy theories, noting a shift in the 1980s towards more sinister narratives influenced by right-wing ideologies. He attributes the decline in UFO sightings to modern technology, which has made it easier to debunk such phenomena.

Shenzhen, once a small fishing port, has transformed into a megacity and a global hub for consumer electronics manufacturing, producing 90% of the world's gadgets. The city is home to major factories like Foxconn and TCL, which employ hundreds of thousands of workers under varying conditions. Shenzhen's rapid growth is a result of China's Special Economic Zone policies, attracting foreign investment and low-cost labor. However, rising wages and living standards are pushing some companies to outsource manufacturing to other countries. The city's future lies in technological innovation and entrepreneurship, moving away from its image as a sprawling sweatshop to a global megacity of tech innovation.

Photos of a crashed Chinese CH-3 military drone in Nigeria have sparked discussions about China's growing use of drone technology in foreign conflicts. Experts suggest China's interest in Nigeria's oil and economic investments may be driving this involvement. The article draws parallels between China's actions and the US's past military strategies, particularly in terms of securing oil interests. While China appears to be using drones to support Nigeria against Boko Haram, it remains cautious about deeper involvement in foreign conflicts. The presence of Chinese drones raises questions about the ethical and political implications of remote warfare.