Karl Lemieux's feature film Maudite Poutine (Shambles) premiered in Venice and will be shown at the Toronto festival. The film, which involves a 27-year-old Vincent fleeing to the backwoods after stealing drugs, is available for online viewing through Festival Scope's Venice Sala Web. Five free passes are being offered to ScreenAnarchy readers.

Variety reports that Jovanka Vuckovic will direct 'Riot Girls,' a sci-fi action film written by Katherine Collins and produced by Lauren Grant. The story revolves around a world where adults have died, and a teenage girl embarks on a journey of violence and discovery after her brother is captured. The film is noted for its unique blend of genres and is currently casting. The article expresses excitement for Vuckovic's venture into sci-fi, given her background in horror, and highlights the film's all-female creative team.

Obaidah Zytoon's debut documentary 'The War Show' provides a unique female perspective on the Arab Spring and the ongoing civil war in Syria. The film, which won the Venice Days award and played at the Toronto International Film Festival, is described as an authentic snapshot of revolution, capturing the experiences of Zytoon and her friends. It is noted for its raw quality, emotional impact, and the way it underlines the power of the camera in documenting truth during war. The review suggests that the film challenges the narratives produced by both the regime and resistance fighters, and it is seen as an act of defiance and a potential tool for change in Syria.

Screen Anarchy discusses the release of Clint Eastwood's film 'Sully', starring Tom Hanks as Captain Chesley 'Sully' Sullenberger, which portrays the 'Miracle Of The Hudson'. The article reflects on how real events are dramatized in cinema and asks readers for their opinions on the best based-on-a-true-story films and the reasons for their choices.

The study evaluates the accuracy of GFR estimation equations in Black Americans living with HIV, focusing on the impact of omitting the race calibration factor. Findings indicate that the standard eGFRcr equation overestimates GFR and has poor accuracy in this population. Omitting the race factor improves accuracy, particularly in HIV-positive individuals. The eGFRcr-cys equation without race adjustment is the most accurate for both HIV-positive and HIV-negative groups. The study highlights potential implications for antiretroviral therapy decisions and kidney disease management, emphasizing the need for accurate GFR estimates to avoid exacerbating racial disparities in healthcare.

Chicago's downtown is thriving, but other areas face population loss and disinvestment. The Metropolitan Planning Council urges mayoral candidates to prioritize balanced growth and maintain racial and economic diversity. Strategies include stabilizing South and West Side homes, closing the black youth employment gap, coordinating neighborhood investments, creating transit-oriented development, and embracing immigration. Companies like Aon, Allstate, and Accenture are partnering with City Colleges for apprenticeships. Targeted investments and policies can support communities of color and mitigate displacement.

The Iowa City Public Library offers a wide range of investment books suitable for both beginners and seasoned investors. Recommended titles include John C. Bogle's 'The Little Book of Common Sense Investing,' Burton G. Malkiel and Charles D. Ellis's 'The Elements of Investing,' Benjamin Graham's 'The Intelligent Investor,' Burton G. Malkiel's 'A Random Walk Down Wall Street,' and Robert J. Shiller's 'Irrational Exuberance.' These books cover various investment strategies and philosophies, providing valuable insights into stock market investing.

The author, Todd Brown, dispels the myth of the 'marketing guru,' emphasizing that success in online marketing comes from hard work, continuous learning, and perseverance. He shares his personal journey, struggles, and the realization that there are no superhuman marketers, only individuals who put in the effort and time to succeed. The letter encourages aspiring marketers to focus on their own growth and not be misled by the illusion of innate talent or genius in the industry.

Road Games, an Australian exploitation classic directed by Richard Franklin, is highlighted for its unique take on the road thriller genre, featuring American talents Stacy Keach and Jamie Lee Curtis. The Blu-ray release by Umbrella Entertainment, restored from a 4K scan, includes a wealth of extras such as interviews, documentaries, and commentaries, making it a definitive edition for fans. Despite some issues with the print quality, the release is highly recommended for its comprehensive content and historical significance.

Sadhuram 2, dubbed 'India's First Philanthropical Thriller,' is set to debut in Indian cinemas. Directed by Sumanth Radhakrishnan, the Tamil language film has been in development for over two years. It draws creative inspiration from the Saw franchise, with authorization from the Saw team. The film aims to incorporate socially conscious themes and is not a sequel despite its title, which suggests an ambiguous narrative structure.

Errol Morris's documentary, The B-Side, offers a warm and insightful portrait of Elsa Dorfman, a retired photographer known for her work with a rare large-format Polaroid camera. The film explores Dorfman's career, her unique approach to photography, and her reflections on her extensive archive. Through interviews and the examination of her photographs, the documentary highlights the ephemeral nature of human endeavor and the lasting impact of love and friendship.

German director Angela Schanelec's film 'The Dreamed Path' is a minimalist exploration of migration, stasis, and loneliness, praised for its powerful political nuance and subtle masterwork. The film, which premiered at the 2016 Locarno Film Festival and had its North American premiere at the Toronto International Film Festival, intertwines two stories set 30 years apart, focusing on the deterioration of relationships. Schanelec's use of minimalism, abstraction through realism, and thematic motifs like illness and disability, creates a profound and beguiling cinematic experience. The film reflects on the inherent inability to connect, union between people and countries, and the observational way we relate to the world.

Osgood Perkins' sophomore feature, 'I Am The Pretty Thing That Lives In The House', is a ghost story that offers classic chills over modern thrills, contrasting with over-sweetened horror films like 'The Conjuring'. The film, set in a grand old country house, follows Lily, a nurse played by Ruth Wilson, as she cares for aging writer Iris Bloom, portrayed by Paula Prentiss. The narrative is loosely structured with fade-to-black transitions, and the setting suggests an 1980s environment. The story within the film, a novel written by Bloom's character, makes a significant impression, overshadowing the characters. Perkins dedicates the film to his father, Anthony Perkins, and incorporates themes of storytelling and the cyclical nature of beginnings and endings.

Juan Carlos Medina's The Limehouse Golem, set in Victorian London, will premiere in Toronto. The film features a musical number with Douglas Booth and stars Olivia Cooke, Sam Reid, and Bill Nighy. The plot revolves around a detective investigating a serial killer while a woman faces execution for her husband's murder. The screenplay, adapted by Jane Goldman from Peter Ackroyd's novel, also includes performances by Eddie Marsan and Daniel Mays.

Stranger Things, an 8-part Netflix series set in the '80s, has captivated audiences with its nostalgic appeal, drawing heavily from the aesthetics and themes of Steven Spielberg's films and other '80s pop culture. While the series excels in plot mechanics and visual style, it falls short in character development, with characters remaining largely unchanged throughout the season. The show is praised for its recreation of a bygone visual era and its deliberate homage to films like E.T. The character Eleven, portrayed by Millie Bobby Brown, stands out as both an icon and a key narrative driver. Despite its nostalgic charm, the series is critiqued for its lack of real-world complexities and tensions, presenting a sanitized version of the '80s. Overall, Stranger Things is seen as a reflection of current pop culture's fascination with remixing past eras.

AR Murugadoss's latest film, Naam Hai Akira, starring Sonakshi Sinha, is a female-fronted martial arts action film that fails to deliver on its potential. The film suffers from poor fight choreography, weak direction, and lackluster performances, particularly from Sinha and Konkona Sensharma. Anurag Kashyap's portrayal of the villain ACP Rane stands out as the only commendable performance. The narrative is criticized for its illogical plot twists and underwhelming execution, making it a disappointing addition to Murugadoss's filmography.

Denis Villeneuve's film Arrival explores humankind's first contact with alien lifeforms, focusing on a brilliant linguist, Louise, played by Amy Adams. The film delves into complex themes of communication, humanity, and the perception of space and time, set against a backdrop of global tension. The narrative balances personal drama with larger existential questions, delivering a thought-provoking and elegant cinematic experience. The performances, particularly by Amy Adams and Forrest Whitaker, are highly praised, and the film is lauded for its intellectual depth and emotional resonance.

Kenji Mizoguchi's 1939 film 'The Story of the Last Chrysanthemum' is celebrated for its storytelling and visual mastery, set against the backdrop of Kabuki theater in old-world Japan. The Criterion Blu-ray release, despite some imperfections, is praised for making this classic more accessible. The film, featuring strong performances by Shotaro Hanayagi and Kakuko Mori, is noted for its depth and timelessness, standing alongside Mizoguchi's other masterpieces like 'Ugetsu' and 'Sansho the Bailiff'.

The Resistance, a Chinese movie directed by Peng Zhang Li, is set during World War II and tells a story of revenge and resistance against Japanese occupation. The film, released in 2011, received mixed reviews, with success in the USA but criticism in the UK. The review highlights differences between the UK and USA DVD versions, noting variations in CGI and color grading. The movie is praised for its unique samurai-style storytelling and historical depiction, recommended for fans of samurai films and World War II narratives.

The 12th edition of Fantastic Fest, held at Alamo Drafthouse South Lamar in Austin, TX, features a diverse lineup of 41 short films curated by Peter Kuplowsky. The festival showcases a mix of horror, animation, and experimental films from around the world, including premieres of new works from Cartoon Network and cult animator Sawako Kabuki. The lineup is divided into three programming sidebars and includes a variety of genres and styles, from comedic to dramatic and from the emotionally affective to the poetic and introspective.

The Brooklyn Horror Film Festival is set to debut in New York City from October 14th to 16th, showcasing a diverse lineup of horror films from around the world. The festival will feature two world premieres, including 'Child Eater' and 'Psychotic! A Brooklyn Slasher,' and several U.S. and East Coast premieres. Special events include live musical performances, art exhibitions, and interactive activities. The festival aims to celebrate both international and local horror cinema, with a strong emphasis on Brooklyn-based filmmakers and artists.

Clint Eastwood directs a reenactment of the 'Miracle on the Hudson' with Tom Hanks portraying Captain Chesley 'Sully' Sullenberger. The film captures the tension of the emergency landing but struggles to maintain momentum on the ground. Hanks delivers a composed and naturalistic performance, while the supporting cast, including Aaron Eckhart and Laura Linney, have limited opportunities to shine. The script, adapted from Sullenberger's book, faces challenges in expanding a brief event into a full-length feature, resulting in a film that is engaging but lacks depth.

In an exclusive clip from the film 'The Bodyguard,' Andy Lau is seen performing impressive stunts and fighting villains. Directed by Sammo Hung, the film marks his return to directing after two decades. The story revolves around a retired bodyguard with early dementia who must use his old skills to save a young girl and her father from the mob in a town bordering China and Russia.

Spanish director Nacho Vigalondo's film 'Colossal' is a mature, dark, and complex twist on a B-movie plot, featuring an A-grade cast. The film, starring Anne Hathaway and Jason Sudeikis, explores themes of relationships, addictions, and connections with one's past, while blending elements of whimsy and darkness. Hathaway's performance is empathetic, and Sudeikis delivers a powerful portrayal. Vigalondo's script skillfully balances various tones, making 'Colossal' a fresh and engaging film that stands out in the genre.

Hello Destroyer, starring Jared Abrahamson, premiered to a sold-out crowd at TIFF. The film explores the life of a shy hockey enforcer whose life is upended by an act of violence during a game, delving into the harsh realities of competitive sports. The article discusses the film's themes, including hazing and the impact of violence, and praises its poster for its understated design and thematic depth.

Celebrated indie filmmaker Hong Sang-soo returns with his 18th film, Yourself and Yours, which features a darker tone and less humanity in a narrative that toys with its audience. The film stars Kim Joo-hyuk and Lee Yoo-young, with the latter delivering a standout performance. The film explores themes of perception and identity, with a complex female lead that may frustrate some viewers. Supporting roles by Kim Eui-song, Yu Jun-sang, and Kwon Hae-hyo are also praised.

Asura: The City of Madness is a noirish crime thriller set in a corrupt Korean city, featuring a morally ambiguous detective, Do-kyung, who is caught between his unscrupulous employer, Mayor Park, and an internal affairs investigation. The film is noted for its dark and claustrophobic visuals, excessive violence, and strong performances from a cast including Hwang Jung-min, Kwak Do-won, and Jung Woo-sung. Despite its entertainment value and timely commentary on corruption, the film struggles with its mix of self-seriousness and over-the-top theatrics.

Steven Shainberg discusses his film 'Rupture', which premiered at Fantasia and stars Noomi Rapace. The film involves a mother abducted for experiments in fear, with themes of motherhood and transformation. Shainberg elaborates on the evolution of the film from a found footage concept, changes made after a Berlin screening, the casting process, and the challenges of low-budget filmmaking. He also touches on the sound design, score, CGI versus practical effects, and the collaboration with his crew, including cinematographer Karim Hussain. The interview reveals Shainberg's dedication to authenticity in the film's intense scenes and his upcoming screenings at FrightFest and Sitges.

Jeff Lieberman's horror film Blue Sunshine, known for its drug paranoia theme, has been restored from the original 35mm negatives and released on Blu-ray by Filmcentrix. The release includes a 4K restoration, commentary, interviews, and a plethora of bonus materials, both disc-based and physical. The film is compared to works by Cronenberg and De Palma and is considered an underrated gem from the '70s. The Blu-ray package, overflowing with extras including a CD soundtrack and printed materials, is highly recommended for collectors.

Trevor Juras discusses his film 'The Interior,' highlighting the balance between horror and comedy, the influence of personal experiences on the film, and the unique shooting strategies employed. The film, set to launch at Toronto's The Royal Cinema and on VOD via Syndicado, explores existential themes through the protagonist James, who faces both therapeutic and frightening experiences in the wilderness. The interview delves into the filmmaking process, including the choice of locations, the visual language inspired by Roger Deakins, and the deliberate use of natural lighting and color contrasts.

Billy O'Brien's film 'I Am Not A Serial Killer,' an adaptation of Dan Wells' novel, stars Max Records as a teen who believes he is a sociopath and Christopher Lloyd. The film, which received positive reviews at SXSW, is set for an August limited release in the US and a Canadian premiere at the Fantasia Festival. The first trailer highlights the film's strong visuals, atmosphere, and character dynamics.

Bruce Campbell reprises his role as Ash in the second season of 'Ash vs Evil Dead,' premiering in October on Starz. The series continues the trend of reviving nostalgic properties and serializing horror franchises. The new season promises a blend of humor and gore, staying true to the original spirit of the 'Evil Dead' films. Lucy Lawless joins the cast as Ruby Knowby, with Lee Majors playing Ash's father and Ted Raimi as Ash's high-school best friend. The show emphasizes practical effects to maintain its nostalgic appeal.

Ayano Go, a prominent Japanese actor, discusses his recent recognition with the Rising Star award at the New York Asian Film Festival. He reflects on his roles in 'Twisted Justice' and 'A Bride for Rip Van Winkle,' emphasizing his method of embodying characters and the challenges of transitioning between roles. Ayano also shares his admiration for directors like Sabu, Takashi Miike, and Sion Sono, highlighting their humanity and artistic vision. Despite his success, Ayano remains focused on acting rather than directing, and he expresses his passion for manga and anime adaptations, acknowledging the balance between commercial success and staying true to the original works.

Gunmen, a 1988 Hong Kong gangster thriller directed by Kirk Wong, is praised for its gritty action scenes and strong performances, particularly by Tony Leung Ka-fai and Adam Cheng. The film, set in 1930s Shanghai, follows police officer Ding Chun-Bee as he recruits his war-time friends to take down the villainous opium smuggler Haye. Despite some script issues, the film is noted for its period authenticity and Wong's directorial skill. The article also highlights Wong's career, including his other notable works and collaborations with prominent figures in Hong Kong cinema.

Sakaki Hideo, known for his role in the Japanese film VERSUS, discusses his career trajectory from actor to director at the New York Asian Film Festival, where he presented his latest directorial work, KIYAMACHI DARUMA. He reflects on his early days in Tokyo, the influence of colleagues like Sakaguchi Tak, Yamaguchi Yudai, and Kitamura Ryuhei, and the importance of creating one's own opportunities. Hideo anticipates a mixed reaction to KIYAMACHI DARUMA, particularly due to its shocking opening. He also praises actor Endo Kenichi for his performance as a quadruple amputee and hints at a future project set in New York.

John Bradley discusses his role in the film Traders, highlighting the unique experience of being involved in a project from start to finish, unlike his intermittent involvement in Game of Thrones. He contrasts his character Vernon in Traders, who is dark and calculating, with his more endearing role as Samwell Tarly in Game of Thrones. Bradley appreciates the small crew and consistent work schedule of Traders, which allowed him to fully immerse in his character. He also touches on the collaborative nature of working with directors Rachael Moriarty and Peter Murphy, and the interpretive freedom they allowed him. The interview concludes with Bradley reflecting on the unpredictable nature of Game of Thrones and the learning experiences from working with various directors on the show.

Eva Husson's film 'Bang Gang: A Modern Love Story' is inspired by a true story from 1996 involving teenage orgies in a French community. The film explores themes of youth, digital culture, and the impact of modern social media on adolescents. Husson discusses her creative process, the influence of Larry Clark's films, and the challenges faced by today's youth in navigating new social and sexual landscapes. The film is noted for its artistic intimacy and thought-provoking narrative, reflecting on the broader societal decadence and the evolving nature of adolescence.

Canadian director Patricia Rozema and actress Ellen Page discuss their film 'Into the Forest,' a post-apocalyptic narrative from a female perspective. The film, adapted from Jean Hegland's novel, features strong performances by Page and Evan Rachel Wood as sisters navigating survival. The interview highlights the characters' development, the importance of arts in dire times, and the challenges of producing female-led films. Both Rozema and Page emphasize the need for systemic change in the industry to support more female-driven projects.

Fantaspoa 2016 honors Brian Trenchard-Smith, a key figure in Ozploitation cinema, with a retrospective featuring his films Turkey Shoot and Dead End Drive-In. Trenchard-Smith discusses the resurgence of interest in his work, the influence of political climates on his films, and the societal metaphors within his stories. He reflects on the brutal scenes in Turkey Shoot, the societal critique in Dead End Drive-In, and the impressive stunt work in his films. The interview highlights his versatility across genres and his recognition by new generations and industry figures like Quentin Tarantino.

Greg Peters discusses Netflix Japan's strategy to become a global internet-based TV network, emphasizing the importance of local content creators and advanced video technology. He highlights the iterative process of building trust with content producers and the challenges faced in the Japanese market. Peters also talks about Netflix's involvement in anime and potential movie projects, addressing regulatory issues and competition from other streaming services. The interview underscores Netflix's commitment to high-quality local productions and long-term investment in the entertainment ecosystem.