The article discusses an upcoming cineforum event at Cines Girona in Barcelona, featuring the film 'Soy Nevenka', which addresses sexual harassment and abuse of power. The event will include a debate with prominent figures in the fight against gender-based violence, such as Cova Álvarez, Celeste Attias, Blanca Paniello, and Elisenda Díaz. The film highlights the case of Ismael Álvarez, a former mayor of Ponferrada, who was convicted of sexual harassment. The cineforum is part of a series celebrating the tenth anniversary of El Diari de l’Educació, organized by the Fundación Periodismo Plural in collaboration with local cinemas and media outlets.

The article discusses the film 'El 47', directed by Marcel Barrena, which highlights the social and class consciousness of Catalans born outside Catalonia. It focuses on the historical context of migration from regions like Extremadura and Andalusia to Catalonia, emphasizing the challenges faced by these communities in terms of access to services and social integration. The narrative centers around Manolo Vital, who symbolizes the struggle for dignity and equal treatment in Catalonia. The film is portrayed as a tribute to those who contributed to building modern Catalonia, advocating for mutual recognition and equality.

Jonás Trueba discusses his latest film 'Volveréis', which premiered in France before Spain and was featured at the Cannes Film Festival. The film explores themes of relationships and filmmaking, reflecting on the fragility and renewal of trust and fidelity, both in personal and professional contexts. Trueba emphasizes the collaborative nature of his work with a consistent team, including his partner Itsaso Arana and actor Vito Sanz. He also reflects on the influence of his father, Fernando Trueba, who appears in the film, and the inspiration he draws from filmmakers like Jonas Mekas and Hong Sang-soo. The article delves into Trueba's creative process and the personal significance of his work.

Emilio Morenatti, a photojournalist based in Barcelona, is showcasing his work at the Visa pour l'Image festival in Perpignan, focusing on themes of disability and vulnerability. His retrospective includes images from the Paralympic Games and various global conflicts, reflecting his personal experiences, including losing a leg in Afghanistan. The festival also features Loay Ayyoub's photographs depicting the humanitarian crisis in Gaza following attacks by Hamas and retaliatory bombings by the Israeli government. The article underscores the challenges faced by journalists in conflict zones and the importance of empathy in capturing human stories.

The article draws a parallel between the actions of Israeli Prime Minister Benjamin Netanyahu and historical figures involved in the Holocaust, such as Rudolf Höess and Adolf Eichmann, highlighting the ongoing violence in Gaza and the West Bank. It criticizes the Israeli government's treatment of Palestinians, comparing it to past atrocities and questioning the moral implications of such actions. The narrative reflects on the banality of evil, as described by Hannah Arendt, and the challenges of rational debate when sacred arguments are used.

The closing ceremony of the Paris 2024 Olympics, directed by Thomas Jolly, featured a performance symbolizing the Olympic legacy, with Artur Cadre as the Golden Voyager. The event marked a successful organizational and public engagement, leaving a nostalgic legacy for Parisians as the focus shifts to Los Angeles 2028. The author reflects on the experience of covering the games, highlighting the historical significance and personal journey from the Barcelona Olympics to the present.

The equestrian events for the Paris 2024 Olympics are set in the historic gardens of the Palace of Versailles, a location that reflects the aristocratic nature of the sport. The event is noted for its predominantly white and English-speaking audience, with a significant female presence among both spectators and journalists. The United Kingdom won the team event, while Germany's Michael Jung claimed individual victory. British rider Laura Collett secured a bronze medal, highlighting the mixed-gender competition. The article also features insights from Spanish participant Esteban Benítez, emphasizing the accessibility of the sport to the middle class.

The article describes the challenging weather conditions during the first full day of competition in Paris, affecting cyclists and other athletes. Notable events include Woot van Aert winning a bronze medal in cycling, Fran Garrigós securing a bronze in judo for the Spanish delegation, and a fencing final attended by President Macron, where Auriane Mallo-Breton lost to Vivian Kong.

The Paris 2024 Olympic Games are set to officially open, but competitions have already begun, causing significant disruptions in the city. Security perimeters have been established, making navigation challenging for residents and tourists. The author recounts their experience of navigating the city to attend a football match between Spain and Uzbekistan, highlighting the difficulties faced due to unexpected road closures. Despite the challenges, the author witnessed Marc Pubill score the first goal of the Games, making the effort worthwhile.

Two sociological science fiction films, 'Dream Scenario' by Kristoffer Borgli and 'Vincent debe morir' by Stéphan Castang, are released in Spanish cinemas, inviting reflection on social tension and cancellation in the era of social media. Both films, despite their differences, explore themes of unprovoked aggression and societal reactions to it. 'Vincent debe morir' features a graphic designer who inexplicably becomes the target of attacks, while 'Dream Scenario' stars Nicolas Cage as a university professor who becomes a celebrity after appearing in people's dreams. The article also mentions 'Beau Is Afraid' by Ari Foster and 'Leave the World Behind', highlighting the contemporary societal obsession with cancel culture and the pursuit of viral fame.