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Check FAQAbout Zachary
Zachary Rosen is a multimedia producer based in Washington, United States of America. He works with digital video and analog/digital photography for documentary projects.
Portfolio
The shifting role of Bongo Flava artists
Bongo Flava, Tanzania's popular music genre, has evolved from its roots as a medium for social commentary and youth education to a more commercialized form that often distances itself from societal issues. Initially, Bongo Flava artists used their music to address political and social challenges, but shifts in global culture, structural hindrances, and legal restrictions have limited their role as commentators. The genre now often focuses on entertainment and lifestyle, with mainstream artists appearing complacent in the face of these changes. Despite Tanzania's economic growth, the genre no longer reflects the country's material realities, and the space for critical commentary is shrinking.
Zau is a mirror
Tales of Kenzera: Zau, developed by Surgent Studios and led by Abubakar Salim, is a video game that explores grief through a rich narrative inspired by Bantu folklore. Despite its critical acclaim and cultural significance, the game faces a boycott from a right-wing faction due to its association with Sweet Baby Inc., a diversity consulting agency. This has led to poor sales and layoffs at Surgent Studios, highlighting a culture war in the gaming industry. The game is celebrated for its representation of African cultures and languages, offering a unique and heartfelt gaming experience.
Mere Share Ownership Not Enough to Justify Enforcement of Non-Compete Against an Employee
Why Do Website Relaunches Always Turn into Humongous Shit Shows?
Website relaunches are complex due to the intricate technology involved and the need for buy-in from numerous stakeholders. Websites represent a significant investment in digital marketing and require continuous updates and maintenance. The article emphasizes the importance of treating web development as a serious engineering effort and highlights the challenges posed by internal stakeholders. Successful website management involves having clear success metrics, empowered decision-makers, a skilled web team, and the right technical tools. Pantheon is presented as a supportive partner in achieving these goals.
The people are our mountains
The article recounts the experiences of Manecas dos Santos, a Cape-Verdean-born military commander, during the Guinea-Bissau liberation struggle against Portuguese colonial rule. It highlights the pivotal role of Amilcar Cabral, the revolution's co-founder, whose assassination in 1973 deeply affected the liberation troops. Despite the loss, the troops, armed with the Soviet-supplied Strela anti-aircraft weapon, continued their fight and eventually secured independence for Guinea-Bissau. The narrative underscores Cabral's enduring legacy and the emotional impact of his leadership on those who fought alongside him.
Writing whiteness, writing America
Chinelo Okparanta and Mohsin Hamid explore white consciousness through their novels 'Harry Sylvester Bird' and 'The Last White Man,' respectively. Okparanta's satire delves into the life of Harry, a white man grappling with his identity and racism, while Hamid's speculative fiction follows Anders, a white man who wakes up with dark skin. Both authors, with immigrant backgrounds, challenge the representation of race and identity, critiquing white liberalism and the complexities of racial transformation. The novels highlight the alienation and struggles of migration, questioning the efficacy of liberal allyship and the depth of racial understanding.
Cosmopolitan Africans, before colonialism
The article challenges the notion that African history is solely defined by colonialism and subordination. It highlights the cosmopolitan nature of African societies before colonialism, using the Kingdom of Kongo and the Kingdom of Asante as examples. The Kongo Kingdom, which adopted Catholicism for diplomatic power, and the Asante Kingdom, known for its trade and diplomacy with European states, are presented as sovereign entities that engaged with the world on their own terms. The article suggests that these historical instances provide alternative narratives to the dominant theme of oppression and can inspire a reimagining of African history and its future possibilities.
Killing the collective
The article examines the persistent violence against union organizers, local politicians, and community activists on South Africa's Platinum Belt, highlighting the challenges in identifying perpetrators and motives. It discusses the broader implications of this violence on collective leadership and the struggle for better conditions in post-apartheid South Africa. Despite historic wage victories and important strike actions, profound poverty and rampant violence continue to hinder effective grassroots politics. The article also notes that these dynamics are not limited to the Platinum Belt but are prevalent across South Africa, affecting various rights activists and political figures.
Photo portfolio site.
Growing pains
Afropunk, a festival with roots in a 2003 film about black punks, has evolved into a major commercial event with franchises in several cities, including Johannesburg. Initially celebrated for its radicalism and DIY ethos, the festival now faces criticism for its commercialization and high entry fees. The article explores the festival's journey, its political and cultural significance, and the challenges it faces in balancing commercial success with its original punk spirit. Despite these challenges, Afropunk continues to bring people together and remains a significant cultural event.
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