José Noé Suro transitioned from a career in law to leading Cerámica Suro, an idea factory that has blurred the lines between art, handmade crafts, and design. Originating as a modest family workshop in Tlaquepaque, Jalisco, in 1951, it evolved into a contemporary art giant in the 1990s when José Noé and his brother, artist Luis Miguel Suro, fully engaged with the workshop. The arrival of ExpoArte, Mexico's first contemporary art fair, was pivotal for José Noé, who fell in love with collecting and working with artists. Cerámica Suro's collection and collaborations exceed 700 pieces, showcased in an exhibition at the Museo de Arte de Zapopan (MAZ) from 2021 to 2022 and currently on display at Plataforma. José Noé's vision emphasizes understanding each artist's work to create pieces that reflect the factory's identity and the creator's essence.

In Guadalajara, Jalisco, three artisans and their workshops have preserved techniques passed down through generations, presenting proposals rich in history and beauty. Pedro Romo de la Rosa, a master of the pedal loom, has become a custodian of this tradition, innovating and sharing his knowledge. His workshop collaborates with designers worldwide, exporting creations globally. Pilar Núñez has evolved the family Panduro's hand modeling technique, creating pieces that capture a wide array of characters and forms, making her workshop a contemporary reference in craftsmanship. Daniel Bernabe, a master of the barro petatillo technique, emphasizes family unity in his workshop's success, which is known internationally and works to train the next generation while keeping the tradition alive.

Jalisco, particularly its capital Guadalajara, is a vibrant breeding ground for artistic talent across various disciplines. The article highlights historical figures from Jalisco who have made significant contributions to the arts, including Luis Barragán, an influential architect and the only Mexican Pritzker Prize laureate; Consuelito Velázquez, a world-renowned composer known for 'Bésame mucho'; Dr. Atl, a prominent landscape painter with interests in vulcanology; José Clemente Orozco, a key figure in Mexican muralism; María Izquierdo, one of the first Mexican women to exhibit her work internationally; Juan Soriano, a versatile artist who explored various styles; Lola Álvarez Bravo, considered the first Mexican female photographer; Juan Rulfo, a leading writer in the Spanish language; Raúl Anguiano, the last representative of Mexican muralism; and Ana Beatriz Ashida Ochoa, a pioneering landscape architect. These individuals have left an indelible mark on the cultural tapestry of Mexican art history.

Marcelo Suro, a designer from Jalisco, created the trophy for the Icons of Design award, which celebrates distinguished design projects. The ceramic pieces in red tones represent the natural connection and symbiosis between the creation of an icon and surrounding designs, emphasizing balance and interdependence. Suro, known for his geometric abstractions that explore opposites and movement, has exhibited his work at various prestigious events, including Milan Design Week and the Abierto Mexicano de Diseño.

Casa Mola, a 430 square meter architectural gem in Avándaro, Valle de Bravo, Mexico, embodies the essence of its natural surroundings in a unique living experience. Designed by Estudio Atemporal, the residence combines simple lines, picturesque views, and an almost obsessive contextual analysis to create a sanctuary of harmony and design. The structure features sustainable qualities and materials chosen for minimal maintenance impact, blending with the environment and aging gracefully. The architectural program caters to a young couple's needs for social and private spaces, with a standout feature being the access path that reveals the house gradually. Casa Mola stands as a masterful example of architecture harmoniously converging with nature, allowing inhabitants to enjoy the serenity of the forest.

Ajijic, a town in Jalisco, Mexico, known for its pleasant climate and rich history, is now home to the newly inaugurated Centro para la Cultura y las Artes de la Ribera. This cultural center, part of the Cultura Cardinal program by the Secretaría de Cultura de Jalisco, aims to decentralize the state's cultural offerings. The project, led by ATELIER ARS and architects Alejandro Guerrero and Andrea Soto, incorporates local myths of the Wixárika culture and features a library, dormitory area, longitudinal service building with music classroom, dance hall, outdoor amphitheater, and a central water mirror. The design emphasizes the region's craftsmanship and creates a polymorphic structure with red tones, while also symbolizing the relationship between Lake Chapala and its islands through aquatic details.

In 2020, a group of women architects founded Construyendo Equidad, a movement that highlights violence against women in the creative field every March 8th. Organized by Andrea Cesarman and others, the group has had a significant impact, with over 500 women participating in designing a world without violence. The movement has expanded to Guadalajara and Monterrey. The article discusses the importance of women in architecture and design organizing as a professional group, noting the gender gap in the industry in Mexico and Latin America. This year, a performance was held in Mexico City to honor the victims of violence and demand justice, with 10 women representing the daily victims of femicide in Mexico.

The National Preparatory School, housed in the Antiguo Colegio de San Ildefonso, became the cradle of Mexican muralism, a nationalist aesthetic movement initiated under the educational drive of José Vasconcelos, Secretary of Public Education. This movement, which began in the post-revolutionary context, involved artists like Dr. Atl, Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and others, who created large-scale public works to educate the masses. The movement preserved popular memory, incorporated pre-Columbian elements, and rejected academic norms to foster national identity and reclaim history and traditions. As the movement celebrates its centenary, it is recognized as an invaluable legacy.

Frank Lloyd Wright, who passed away in 1959, left behind numerous unfinished projects. One such project, the Monona Boathouse in Wisconsin, designed in 1893, may soon be realized. A committee convened by the Nolen Waterfront Friends recently reviewed design proposals from three firms to remodel Madison's waterfront, and many proposals included Wright's original boathouse design.

Organic architecture, a sculptural trend harmonizing with nature, is exemplified by Mexico's historical practices and modern figures like Javier Senosiain. Ricardo Suárez Haro, an art consultant, emphasizes respect for nature in this approach. The Noguchi Museum in New York hosts 'In Praise of Caves,' an exhibition featuring works by Carlos Lazo, Mathias Goeritz, Juan O’Gorman, and Senosiain, exploring the integration of natural structures into modern life and environmental benefits of subterranean living. Curator Dakin Hart highlights the exhibition's significance and the museum's embodiment of organic architecture.

The Museo de Arte Moderno (MAM) in Mexico City is a key cultural institution, housing a significant collection of 20th-century Mexican art, including works by Remedios Varo, José Clemento Orozco, Frida Kahlo, and Dr. Atl. Established during Adolfo López Mateos's presidency as part of a cultural policy expansion, MAM opened on September 20, 1964, under the direction of Carmen Marín. Architects Pedro Ramírez Vázquez and Rafael Mijares designed the museum, which is known for its modernist architecture and integration with the surrounding Chapultepec Forest. The museum's design features continuous exhibition spaces, natural light utilization, and has undergone updates to its lighting, air conditioning, and security systems without altering the original architectural intent. MAM is also noted for its inclusive design, with accessibility features and exhibitions presented in Mexican Sign Language.

Interior designer Marie Flanigan, based in Houston, discusses the challenges professionals face when decorating their own homes, a phenomenon she calls 'sky's-the-limit paralysis.' She and her husband Joe took three years to plan their dream home, a 370-square-meter neo-Tudor house in Houston Heights, designed with architect Kelly Cusimano. The house features reclaimed bricks and a mix of architectural styles and periods, inspired by designers like Bobby McAlpine and John Saladino. Flanigan's design work includes a collaboration with Visual Comfort and Annie Selke, testing her designs in the real-world setting of her home.

Cecilia Gómez is a Maya-Tsotsil textile artist from San Andrés Larráinzar, Chiapas, who initially did not aspire to be an artist. She learned to use the backstrap loom from her mother and discovered its meditative quality in high school. Gómez's work, which often addresses environmental issues, rural contexts, and gender equity, is a key part of her discourse. She collaborates with rural women, integrating knowledge from different regions, such as natural dyeing techniques. Gómez creates large ornamental pieces that preserve ancient Mayan traditions and address contemporary issues. Her work has been featured in national and international fairs, and she contributes to the democratization of knowledge and the revaluation of tradition by sharing it with others, especially women. She works with Aid to Artisans and teaches backstrap loom workshops, collaborating with designer Carla Fernández in the United States and the Museo Jumex in Mexico City.

Fernando Romero is a Mexican architect known for iconic buildings like the Museo Soumaya in Mexico City and for his sustainable designs that incorporate technology and nature. His firm, fr.ee, has collaborated with international and Latin American architects and has offices in New York, Mexico City, Madrid, and Shenzhen. Romero has received numerous awards and his work is characterized by contextual references and impressive aesthetics. Notable projects include Museo Soumaya, Plaza Mariana, the G20 Convention Center, and an immersive aquarium structure. His firm is also involved in the construction of Bitcoin City in El Salvador.

Casa Cumbres, a villa in Veracruz, Mexico, designed by Mexican architect José Pedro López González, stands out in a cloudy landscape with its volumetric and tonal proposal reminiscent of a Lars von Trier film scene. The black facade with red ironwork details harmonizes with the surrounding nature, offering privacy and a dialogue with the landscape. The interior is dominated by wood and custom-made furniture by local carpenters, providing a serene atmosphere that complements the exterior's dramatic presence.

Pueblo del Sol is a community in the tropical landscapes of the Sierra de Oaxaca, Mexico, founded in 2017, offering a new way of living and thinking about the planet. Initiated by entrepreneur Ezequiel Ayarza Sforza, the community focuses on social, economic, and human development through infrastructure, economic activation via eco-friendly products, and personal growth activities. It provides an ecotourism alternative and a support network for transformation. The community includes organic agriculture, crafts, and workshops, promoting a sustainable lifestyle. This April, Pueblo del Sol fully opens with a volunteer program inviting global participation in nature immersion.

The article provides a horoscope for the month of April, focusing on how different zodiac signs can enhance their living spaces to align with their astrological forecasts. It offers personalized advice for each sign, suggesting trends, decorative objects, and creative personalities that resonate with the sign's current astrological phase. The guidance ranges from embracing minimalism to fostering self-love, with specific items and figures mentioned to inspire the reader's interior design choices.

Casa Ocho in Mexico City exemplifies the blending of interior design and architecture into a curatorial exercise, transforming habitation into an aesthetic experience. The project is a collaboration among Yuri Zagorin of ZD + A, Verónica González of VGZ Arquitectura, and Ilana Goldberg of Goldberg Interiores, with contributions from Andrea Sánchez in lighting, Pedro Sánchez in landscaping, Quintanilla Arquitectos in construction, and Óscar Cristóbal in custom carpentry. The design incorporates the family's art collection, featuring works by Tamayo, Francisco Leñero, and Anish Kapoor, among others, and design pieces from international firms like Gubi and Pierre Jeanneret. The 1,300 square meter, three-story house-gallery is designed with clean environments, natural light, and neutral palettes to highlight the art and materials within.

San Ignacio in Sayulita, a must-visit destination for gourmets and globetrotters, has been restored and expanded by Palma, an emerging studio founded by Ilse Cárdenas, Regina de Hoyos, Diego Escamilla, and Juan Luis Rivera. The project transformed a nearly abandoned house into a contemporary residence with smart volumetry and bare materials, maintaining the essence of the municipality. The renovation included structural solutions that allow for flexible creative spaces and bioclimatic design. The property features a central courtyard, two new volumes for creative and communal activities, and a circular concrete structure juxtaposed with the rectangular swimming pool. The landscape was designed by PA AR, integrating the existing and new structures with the natural environment.

Alfredo 'Fred' Ortiz, an architect of Mexican heritage and a son of immigrants, has made significant contributions to sports architecture globally as the Director of Sports and Principal AIA at HKS Architects. His work includes designing the SoFi Stadium, home of the Los Angeles Rams. Ortiz's journey began in El Paso, Texas, where his parents worked in the textile industry after relocating from Mexico. His talent was recognized early on by teachers and coaches, leading to a scholarship at the University of Arlington Texas. HKS Architects, where Ortiz has been since 2007, is known for designing stadiums and arenas, including four Super Bowl venues. Ortiz's designs are celebrated for their impact on regions and cities, and he continues to inspire young people to pursue their dreams without letting borders stop them.

J.M. Servín, a writer accused of misogyny due to his social media posts, criticizes El Universal for tarnishing his name without adhering to journalistic standards. The controversy began when Yasnaya Elena from COLMIX publicly questioned Servín's role as a literary writing workshop leader at Universidad del Claustro de Sor Juana, given the institution's stance against gender violence. Servín defends his writing style and editorial line, which is described as irreverent and politically incorrect, and dismisses the culture of fake news and social media. The article raises questions about the line between opinion and aggression, leaving the reader to ponder where Servín's comments and responses fall within the framework of freedom of expression.

Black Mirror, a controversial and acclaimed series now on Netflix, features interconnected episodes despite each telling a distinct story. These connections are revealed through news updates, social media, and audiovisual announcements, with recurring elements such as the UKN news channel, mentions of characters, and thematic soundscapes. The article details specific connections between episodes, such as the repercussions of Prime Minister Michael Callow's actions, the recurring song by Abi Khan, and the ongoing story of Victoria Skillane. It also touches on the technological themes and societal commentary that are hallmarks of the series.

The first BP gas station in Mexico City has been attracting long queues of customers since its opening over a month ago. The station, which uses BP's ACTIVE technology additive in its fuel, has been a topic of interest on social media. Despite the queues, the station's service is efficient, with an average wait time of 15 minutes. The fuel, while purchased from Pemex, is enhanced by BP's technology and is reported by customers to provide more complete liters compared to some Pemex stations. BP plans to open 1,500 stations in the next five years, with the next opening announced for the south of Mexico City.