Two sociological science fiction films, 'Dream Scenario' by Kristoffer Borgli and 'Vincent debe morir' by Stéphan Castang, are released in Spanish cinemas, inviting reflection on social tension and cancellation in the era of social media. Both films, despite their differences, explore themes of unprovoked aggression and societal reactions to it. 'Vincent debe morir' features a graphic designer who inexplicably becomes the target of attacks, while 'Dream Scenario' stars Nicolas Cage as a university professor who becomes a celebrity after appearing in people's dreams. The article also mentions 'Beau Is Afraid' by Ari Foster and 'Leave the World Behind', highlighting the contemporary societal obsession with cancel culture and the pursuit of viral fame.

The film 'Anatomía de una caída' directed by Justine Triet and starring Sandra Hüller, explores the relationship between identity and others, delving into the layers of reality, the past, and the perceptions of those who judge and love us. The protagonist, suspected of murdering her husband, reflects on her identity amidst public scrutiny and finds solace in the recognition of a friend who remembers her past self, providing a sense of salvation and reaffirmation of her identity.

The article discusses the phenomenon of 'yasification' in politics, a trend where political figures are glamorized on social media to appeal to younger voters. Originating from a meme that beautified public figures, it has been adopted by political parties like Podem-Sumar to create a friendly and relatable image of politicians. The trend, which includes using filters and music from pop divas on platforms like TikTok, aims to connect with the Gen Z electorate. The article mentions Spanish politicians Irene Montero and Yolanda Díaz as examples of this strategy, and also references international instances such as Milei in Argentina.

Wim Wenders' latest feature film, 'Perfect Days', set for release in France and Spain, reflects on his serene approach to filmmaking, particularly in the Tokyo-set narrative. The film, along with a documentary on artist Anselm Kiefer, showcases Wenders' minimalistic style and his ability to resonate with audiences and critics alike. His collaboration with musician Ry Cooder is fondly remembered, and his thoughts on the evolution of cinema, as captured in Lubna Playoust's 'Chambre 999', highlight the digital revolution's impact on the medium. Wenders' presence at the Cannes Film Festival and receipt of the Lumière Award in Lyon are testament to his enduring influence in the film industry.

Actress and musician Helena Miquel discusses her role in 'Cerrar los ojos,' the first feature film by Víctor Erice in thirty years. The film faced a controversy at the Cannes Film Festival, where it was relegated to the Cannes Premières section, leading to a public reaction from Erice. Despite the festival's response, Erice felt a lack of loyalty and dialogue. The film, which has received positive reviews, is seen as a testament to Erice's cinematic work, filled with symbolism and references to his previous films and life.

Catalan filmmaker Elena Martín Gimeno presented her second film, 'Creatura', at the prestigious Directors' Fortnight of the Cannes Film Festival 2023, winning the main non-competitive section's Europa Cinemas Label, ensuring international distribution. The film, set on the Costa Brava, explores the sexual and emotional life of a thirty-year-old woman and is not autobiographical but a compilation of various experiences, including Martín's. The script was developed with Clara Roquet, and Martín's career has evolved from acting to directing, with 'Creatura' marking her as a prominent filmmaker. The film is set to release in Spain on September 8.

At the 2023 Cannes Film Festival, Justine Triet's 'Anatomie d'une chute' won the Palme d'Or, a decision criticized as overrating the film. Jonathan Glazer's 'The Zone of Interest' received the Grand Prix, while Aki Kaurismaki's 'Fallen Leaves' took the Jury Prize. Notable performances included Merve Didzar as Best Actress and Koji Yakusho as Best Actor. The article questions some jury choices, highlighting overlooked films like Alice Rohrwacher's 'La chimera' and expressing disappointment at the absence of certain films from the awards. It also comments on the festival's failure to fully utilize the potential of the films presented.

Gabriel Jaraba recounts his personal experiences with Joan Manuel Serrat, highlighting the musician's international stature, warm personality, and professional journey. Jaraba, who was part of the group Els Tres Tambors and later turned to journalism, shares anecdotes from their shared neighborhood and stages, Serrat's early career with Els Setze Jutges, and his rise to fame. The article reflects on Serrat's impact on Catalan music, his avoidance of elitism, and his celebration of friends' successes, including Jaraba's own wedding. Salvador Escamilla's role in recognizing Serrat's potential and advocating for a culture that avoids elitism is also acknowledged.

After 83 years, a tribute was held to honor Republican exiles buried in a mass grave at the West Cemetery of Perpignan, who fled Franco's troops in 1939. The event, attended by about a hundred people, displayed a memorial banner with the names of the 841 individuals who died in hospitals after arriving at internment camps on the beaches of Argelers, Sant Cebrià, and Barcarès. The tribute also served as a redress, circumventing the local ultra-right authorities of Rassemblement National, which had obstructed access to municipal cemetery records. Historians Jordi Oliva, Martí Picas, and Noemí Riudor organized the event confidentially, meeting at the cemetery's monument that commemorates those who died during the exodus, erected by the ERC departmental committee on October 15, 1944, the fourth anniversary of President Companys' execution.